Coffee and cigarettes in a clean cafe,
forsythia lit like a damp match against
a thundery sky drunk on its own ozone,

the laundry cool and crisp and folded away
again in the lavender closet-too late to find
comfort enough in such small daily moments

of beauty, renewal, calm, too late to imagine
people would rather be happy than suffering
and inflicting suffering. We're near the end,

but O before the end, as the sparrows wing
each night to their secret nests in the elm's green dome
O let the last bus bring

Sloth (I)
Too many a Samsan lip your teeth indent:
Too many a Sybil girl you lure to make
The Great Refusal for a fireside sake:
And glamoured poet many a look has sent
Into those eyeballs bear-brown, somnolent,
Nor dreamed that devils in each muddy lake
Were sucking his devotion in to slake
The furrowed belly of your fanged content!
Religion's bane and Freedom's subtlest foe!
Behold the poppied freight your barges bring
The dim-lit souls that crave the prophet's gleam,
Or fettered people's writhing 'neath their woe--

13

Sleep is supposed to be
By souls of sanity
The shutting of the eye.

Sleep is the station grand
Down which, on either hand
The hosts of witness stand!

Morn is supposed to be
By people of degree
The breaking of the Day.

Morning has not occurred!

That shall Aurora be—
East of Eternity—
One with the banner gay—
One in the red array—
That is the break of Day!

By day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)

Of all the rides since the birth of time,
Told in story or sung in rhyme, -
On Apuleius' Golden Ass,
Or one-eyed Calendar's horse of brass,
Witch astride of a human back,
Islam's prophet on Al-Borak, -
The strangest ride that ever was sped
Was Ireson's, out from Marblehead!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Body of turkey, head of owl,
Wings a-droop like a rained-on fowl,
Feathered and ruffled in every part,
Skipper Ireson stood in the cart.

(To Sylvia.)


My Love, my Love, it was a day in June,
A mellow, drowsy, golden afternoon;
And all the eager people thronging came
To that great hall, drawn by the magic name
Of one, a high magician, who can raise
The spirits of the past and future days,
And draw the dreams from out the secret breast,
Giving them life and shape.
I, with the rest,
Sat there athirst, atremble for the sound;
And as my aimless glances wandered round,
Far off, across the hush'd, expectant throng,
I saw your face that fac'd mine.

Half past twelve. Time has gone by quickly
since nine o'clock when I lit the lamp
and sat down here. I've been sitting without reading,
without speaking. Completely alone in the house,
whom could I talk to?

Since nine o'clock when I lit the lamp
the shade of my young body
has come to haunt me, to remind me
of shut scented rooms,
of past sensual pleasure - what daring pleasure.
And it's also brought back to me
streets now unrecognizable,
bustling night clubs now closed,
theatres and cafes no longer here.

My father used to say,
"Superior people never make long visits,
have to be shown Longfellow's grave
nor the glass flowers at Harvard.
Self reliant like the cat --
that takes its prey to privacy,
the mouse's limp tail hanging like a shoelace from its mouth --
they sometimes enjoy solitude,
and can be robbed of speech
by speech which has delighted them.
The deepest feeling always shows itself in silence;
not in silence, but restraint."
Nor was he insincere in saying, "`Make my house your inn'."
Inns are not residences.

Since I lost you I am silence-haunted,
Sounds wave their little wings
A moment, then in weariness settle
On the flood that soundless swings.

Whether the people in the street
Like pattering ripples go by,
Or whether the theatre sighs and sighs
With a loud, hoarse sigh:

Or the wind shakes a ravel of light
Over the dead-black river,
Or night’s last echoing
Makes the daybreak shiver:

I feel the silence waiting
To take them all up again
In its vast completeness, enfolding

You ladies of merry England
Who have been to kiss the Duchess's hand,
Pray, did you not lately observe in the show
A noble Italian called Signior Dildo?
II
This signior was one of the Duchess's train
And helped to conduct her over the main;
But now she cries out, 'To the Duke I will go,
I have no more need for Signior Dildo.'
III
At the Sign of the Cross in St James's Street,
When next you go thither to make yourselves sweet
By buying of powder, gloves, essence, or so,
You may chance to get a sight of Signior Dildo.
IV