poem

My garden hath a slender path
With ivy overgrown,
A secret place where once would pace
A pot all alone;
I see him now with fretted brow,
Plunged deep in thought;
And sometimes he would write maybe,
And sometimes he would not.

A verse a day he used to say
Keeps worry from the door;
Without the stink of printer's ink
How life would be a bore!
And so from chime of breakfast time
To supper he would beat
The pathway flat, a mossy mat
For his poetic feet.

'Listen, now, verse should be as natural
As the small tuber that feeds on muck
And grows slowly from obtuse soil
To the white flower of immortal beauty.'

'Natural, hell! What was it Chaucer
Said once about the long toil
That goes like blood to the poem's making?
Leave it to nature and the verse sprawls,
Limp as bindweed, if it break at all
Life's iron crust. Man, you must sweat
And rhyme your guts taut, if you'd build
Your verse a ladder.'
'You speak as though

Religions are poems. They concert
our daylight and dreaming mind, our
emotions, instinct, breath and native gesture

into the only whole thinking: poetry.
Nothing's said till it's dreamed out in words
and nothing's true that figures in words only.

A poem, compared with an arrayed religion,
may be like a soldier's one short marriage night
to die and live by. But that is a small religion.

Full religion is the large poem in loving repetition;
like any poem, it must be inexhaustible and complete

Deare Friend.

I heare this Towne does soe abound,
With sawcy Censurers, that faults are found,
With what of late wee (in Poetique Rage)
Bestowing, threw away on the dull Age;
But (howsoe're Envy, their Spleen may raise,
To Robb my Brow, of the deserved Bays)
Their thanks at least I merit since through me,
They are Partakers of your Poetry;
And this is all, I'll say in my defence,
T'obtaine one Line, of your well worded Sense

I'd be content t'have writ the Brittish Prince.

Deare Friend.
I
I heare this Towne does soe abound,
With sawcy Censurers, that faults are found,
With what of late wee (in Poetique Rage)
Bestowing, threw away on the dull Age;
But (howsoe're Envy, their Spleen may raise,
To Robb my Brow, of the deserved Bays)
Their thanks at least I merit since through me,
They are Partakers of your Poetry;
And this is all, I'll say in my defence,
T'obtaine one Line, of your well worded Sense
II
I'd be content t'have writ the Brittish Prince.

A sunny day's complete Poussiniana
Divide it from itself. It is this or that
And it is not.
By metaphor you paint
A thing. Thus, the pineapple was a leather fruit,
A fruit for pewter, thorned and palmed and blue,
To be served by men of ice.
The senses paint
By metaphor. The juice was fragranter
Than wettest cinnamon. It was cribled pears
Dripping a morning sap.
The truth must be
That you do not see, you experience, you feel,
That the buxom eye brings merely its element

The opening scene. The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses. Funeral meats. The clever
Abandoned orphan. The great athletic killer
Sulking in his tent. As though all stories began
With someone dying.

When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying. I don't know why:

Poetry,
you are an electric,
a magic, field--like the space
between a sleepwalker's outheld arms!

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.

Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,

1

I move my hand over
slopes, falls, lumps of sight,
Lashes barely able to be touched,
Lips that give way so easily
it's a shock to feel underneath them

The bones smile.

Muffled a little, barely cloaked,
Zygoma, maxillary, turbinate.

2

I put my hand
On the side of your face,
You lean your head a little
Into my hand--and so,
I know you're a dormouse
Taken up in winter sleep,
A lonely, stunned weight.

3

A cheekbone,