BOOK FIRST.

I.

ALL valor died not on the plains of Troy.
Awake, my Muse, awake! be thine the joy
To sing of deeds as dauntless and as brave
As e'er lent luster to a warrior's grave.
Sing of that noble soldier, nobler man,
Dear to the heart of each American.
Sound forth his praise from sea to listening sea-
Greece her Achilles claimed, immortal Custer, we.

II.

Intrepid are earth's heroes now as when
The gods came down to measure strength with men.
Let danger threaten or let duty call,

In the Quarter of the Negroes
Where the doors are doors of paper
Dust of dingy atoms
Blows a scratchy sound.
Amorphous jack-o'-Lanterns caper
And the wind won't wait for midnight
For fun to blow doors down.
By the river and the railroad
With fluid far-off goind
Boundaries bind unbinding
A whirl of whisteles blowing.
No trains or steamboats going--
Yet Leontyne's unpacking.

In the Quarter of the Negroes
Where the doorknob lets in Lieder
More than German ever bore,
Her yesterday past grandpa--
Not of her own doing--

An Horatian Ode upon Cromwell's Return From Ireland

The forward youth that would appear
Must now forsake his muses dear,
Nor in the shadows sing,
His numbers languishing.
'Tis time to leave the books in dust,
And oil the unusèd armour's rust:
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urgèd his active star.
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,

All night I wrestled with a memory
Which knocked insurgent at the gates of thought.
The crumbled wreck of years behind has wrought
Its disillusion; now I only cry
For peace, for power to forget the lie
Which hope too long has whispered. So I sought
The sleep which would not come, and night was fraught
With old emotions weeping silently.
I heard your voice again, and knew the things
Which you had promised proved an empty vaunt.
I felt your clinging hands while night's broad wings
Cherished our love in darkness. From the lawn

I wish it were spring in the world.

Let it be spring!
Come, bubbling, surging tide of sap!
Come, rush of creation!
Come, life! surge through this mass of mortification!
Come, sweep away these exquisite, ghastly first-flowers,
which are rather last-flowers!
Come, thaw down their cool portentousness, dissolve them:
snowdrops, straight, death-veined exhalations of white and purple crocuses,
flowers of the penumbra, issue of corruption, nourished in mortification,
jets of exquisite finality;
Come, spring, make havoc of them!

Alas my hart, mine eye hath wrongèd thee,
Presumptious eye, to gaze on Phillis face:
Whose heavenly eye no mortall man may see
But he must die, or purchase Phillis grace.
Poor Coridon, the Nimph whose eye doth moove thee,
Dooth love to draw, but is not drawne to love thee.


Her beautie, Nature's pride, and sheepheards praise,
Her eye, the heavenly Planet of my life:
Her matchlesse wit and grace, her fame displaies,
As if that love had made her for his wife.
Onely, her eyes shoote fierie darts to kill,

So sung the poet in a humble strain,
With empty pockets, and a head in pain,
Where the soft clime inclin'd the soul to rest,
And past'ral images inspir'd the breast.
Apollo listen'd from his heav'nly bower,
And, in his health restor'd, express'd his power.
Pygmalion thus before the Paphian shrine,
With trembling vows address'd the pow'r divine;
Durst hardly make his hopeless wishes known,
And scarce a greater miracle was shown --
Returning vigour glow'd in every vein,
And gay ideas flutter'd in the brain;

Ay, thou art for the grave; thy glances shine
Too brightly to shine long; another Spring
Shall deck her for men's eyes---but not for thine---
Sealed in a sleep which knows no wakening.
The fields for thee have no medicinal leaf,
And the vexed ore no mineral of power;
And they who love thee wait in anxious grief
Till the slow plague shall bring the final hour.
Glide softly to thy rest then; Death should come
Gently, to one of gentle mould like thee,
As light winds wandering through groves of bloom

Power corrupts,
whereas sound opposition
builds up our free
democratic tradition.
One thing would make
a democracy flower:
having a strong opposition-
in power.

The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth's dark. He
moves in a wood of desire,

pale antlers barely stirring
as he hunts. I cannot tell
what power is at work, drenched there
with purpose, knowing nothing.
What is a snail's fury? All
I think is that if later

I parted the blades above
the tunnel and saw the thin
trail of broken white across
litter, I would never have
imagined the slow passion