power

My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.

I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.

A child is not a poem,
a poem is not a child.
there is no either/or.
However.

I return to the story
of the woman caught in the war
& in labour, her thighs tied
together by the enemy

We Black men of England
Too proud to cry for shame,
Let's cry a sea
Cry publicly,
Expose our very pain,
For Babylon the bandit
Is on our sisters trail,
The bad talk
And the cool walk
Will not keep us out of jail.

We Black men of England
Our guns are killing us,
How dare we?
Now hear me
How great is dangerous?
There's a fascist and a druggist
Out to get our kith and kin,
Let silent guns
Save our sons
The power is within.

We Black men of England

O why doth Delia credit so her glass,
Gazing her beauty deign'd her by the skies,
And doth not rather look on him (alas)
Whose state best shows the force of murd'ring eyes?
The broken tops of lofty trees declare
The fury of a mercy-wanting storm;
And of what force your wounding graces are,
Upon my self you best may find the form.
Then leave your glass, and gaze your self on me,
That Mirror shows what power is in your face;
To view your form too much may danger be:
Narcissus chang'd t'a flower in such a case.

Because thou hast the power and own'st the grace
To look through and behind this mask of me
(Against which years have beat thus blanchingly
With their rains), and behold my soul's true face,
The dim and weary witness of life's race,
Because thou hast the faith and love to see,
Through that same soul's distracting lethargy,
The patient angel waiting for a place
In the new Heavens,--because nor sin nor woe,
Nor God's infliction, nor death's neighbourhood,
Nor all which others viewing, turn to go,

There are some qualities- some incorporate things,
That have a double life, which thus is made
A type of that twin entity which springs
From matter and light, evinced in solid and shade.
There is a two-fold Silence- sea and shore-
Body and soul. One dwells in lonely places,
Newly with grass o'ergrown; some solemn graces,
Some human memories and tearful lore,
Render him terrorless: his name's "No More."
He is the corporate Silence: dread him not!

Because I oft in dark abstracted guise
Seem most alone in greatest company,
With dearth of words, or answers quite awry,
To them that would make speech of speech arise,

They deem, and of their doom the rumor flies,
That poison foul of bubbling pride doth lie
So in my swelling breast that only I
Fawn on myself, and others do despise:

Yet pride I think doth not my soul possess,
Which looks too oft in his unflatt'ring glass:
But one worse fault, ambition, I confess,

Like some weak lords, neighbor'd by mighty kings,
To keep themselves and their chief cities free,
Do easily yield, that all their coasts may be
Ready to store their camps of needful things:

So Stella's heart finding what power Love brings,
To keep itself in life and liberty,
Doth willing grant, that in the frontiers he
Use all to help his other conquerings:

And thus her heart escapes, but thus her eyes
Serve him with shot, her lips his heralds are;
Her breasts his tents, legs his triumphal car;

Cupid, because thou shin'st in Stella's eyes,
That from her locks, thy day-nets, noe scapes free,
That those lips swell, so full of thee they be,
That her sweet breath makes oft thy flames to rise,

That in her breast thy pap well sugared lies,
That he Grace gracious makes thy wrongs, that she
What words so ere she speak persuades for thee,
That her clear voice lifts thy fame to the skies:

Thou countest Stella thine, like those whose powers
Having got up a breach by fighting well,

Reason, in faith thou art well serv'd, that still
Wouldst brabbling be with sense and love in me:
I rather wish'd thee climb the Muses' hill,
Or reach the fruit of Nature's choicest tree,

Or seek heav'n's course, or heav'n's inside to see:
Why shouldst thou toil our thorny soil to till?
Leave sense, and those which sense's objects be:
Deal thou with powers of thoughts, leave love to will.

But thou wouldst needs fight both with love and sense,
With sword of wit, giving wounds of dispraise,

When Nature made her chief work, Stella's eyes,
In color black why wrapp'd she beams so bright?
Would she in beamy black, like painter wise,
Frame daintiest lustre, mix'd of shades and light?

Or did she else that sober hue devise,
In object best to knit and strength our sight,
Lest if no veil those brave gleams did disguise,
They sun-like should more dazzle than delight?

Or would she her miraculous power show,
That whereas black seems Beauty's contrary,
She even if black doth make all beauties flow?