Plunged in night, I sit alone
Eyeless on this dungeon stone,
Naked, shaggy, and unkempt,
Dreaming dreams no soul hath dreamt.

Rats and vermin round my feet
Play unharmed, companions sweet;
Spiders weave me overhead
Silken curtains for my bed.

Day by day the mould I smell
Of this fungus-blistered cell;
Nightly in my haunted sleep
O'er my face the lizards creep.

Gyves of iron scrape and burn
Wrists and ankles when I turn,
And my collared neck is raw
With the teeth of brass that gnaw.

MY wanton lines doe treate of amorous loue,
Such as would bow the hearts of gods aboue:
Then Venus, thou great Citherean Queene,
That hourely tript on the Idalian greene,
Thou laughing Erycina, daygne to see
The verses wholly consecrate to thee;
Temper them so within thy Paphian shrine,
That euery Louers eye may melt a line;
Commaund the god of Loue that little King,
To giue each verse a sleight touch with his wing,
That as I write, one line may draw the tother,
And euery word skip nimbly o're another.

Dear! of all happy in the hour, most blest
He who has found our hid security,
Assured in the dark tides of the world that rest,
And heard our word, 'Who is so safe as we?'
We have found safety with all things undying,
The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time's throwing.
We have gained a peace unshaken by pain for ever.

1918


God rest you, peaceful gentlemen, let nothing you dismay,
But--leave your sports a little while--the dead are borne
this way!
Armies dead and Cities dead, past all count or care.
God rest you, merry gentlemen, what portent see you there?
Singing:--Break ground for a wearied host
That have no ground to keep.
Give them the rest that they covet most . . .
And who shall next to sleep, good sirs,
In such a trench to sleep?

God rest you, peaceful gentlemen, but give us leave to pass.

1

Ye heavenly spirits, whose ashy cinders lie
Under deep ruins, with huge walls opprest,
But not your praise, the which shall never die
Through your fair verses, ne in ashes rest;
If so be shrilling voice of wight alive
May reach from hence to depth of darkest hell,
Then let those deep Abysses open rive,
That ye may understand my shreiking yell.
Thrice having seen under the heavens' vail
Your tomb's devoted compass over all,
Thrice unto you with loud voice I appeal,
And for your antique fury here do call,

Sweet water-moons, blown into lights
   Of flying gold on pool and creek,
And many sounds and many sights
   Of younger days are back this week.
I cannot say I sought to face
   Or greatly cared to cross again
The subtle spirit of the place
   Whose life is mixed with Rose Lorraine.

What though her voice rings clearly through
   A nightly dream I gladly keep,
No wish have I to start anew
   Heart fountains that have ceased to leap.

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?

Canadian


Oh, little did the Wolf-Child care--
When first he planned his home,
What City should arise and bear
The weight and state of Rome.

A shiftless, westward-wandering tramp,
Checked by the Tiber flood,
He reared a wall around his camp
Of uninspired mud.

But when his brother leaped the Wall
And mocked its height and make,
He guessed the future of it all
And slew him for its sake.

Swift was the blow--swift as the thought
Which showed him in that hour
How unbelief may bring to naught

These numbered cliffs and gnarls of masonry
Outskeleton Time's central city, Rome;
Whereof each arch, entablature, and dome
Lies bare in all its gaunt anatomy.

And cracking frieze and rotten metope
Express, as though they were an open tome
Top-lined with caustic monitory gnome;
"Dunces, Learn here to spell Humanity!"

And yet within these ruins' very shade
The singing workmen shape and set and join
Their frail new mansion's stuccoed cove and quoin
With no apparent sense that years abrade,

These numbered cliffs and gnarls of masonry
Outskeleton Time's central city, Rome;
Whereof each arch, entablature, and dome
Lies bare in all its gaunt anatomy.

And cracking frieze and rotten metope
Express, as though they were an open tome
Top-lined with caustic monitory gnome;
"Dunces, Learn here to spell Humanity!"

And yet within these ruins' very shade
The singing workmen shape and set and join
Their frail new mansion's stuccoed cove and quoin
With no apparent sense that years abrade,