I
Like a gondola of green scented fruits
Drifting along the dark canals of Venice,
You, O exquisite one,
Have entered into my desolate city.
II
The blue smoke leaps
Like swirling clouds of birds vanishing.
So my love leaps forth toward you,
Vanishes and is renewed.
III
A rose-yellow moon in a pale sky
When the sunset is faint vermilion
In the mist among the tree-boughs
Art thou to me, my beloved.
IV
You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?
I'll tell you all the news.
I lived in a suburb,
a suburb of Madrid, with bells,
and clocks, and trees.
From there you could look out
over Castille's dry face:
a leather ocean.
My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house
I often wish I were a King,
And then I could do anything.
If only I were King of Spain,
I'd take my hat off in the rain.
If only I were King of France,
I wouldn't brush my hair for aunts.
I think, if I were King of Greece,
I'd push things off the mantelpiece.
If I were King of Norroway,
I'd ask an elephant to stay.
If I were King of Babylon,
I'd leave my button gloves undone.
If I were King of Timbuctoo,
I'd think of lovely things to do.
If all the skies were sunshine,
Our faces would be fain
To feel once more upon them
The cooling splash of rain.
If all the world were music,
Our hearts would often long
For one sweet strain of silence,
To break the endless song.
If life were always merry,
Our souls would seek relief,
And rest from weary laughter
In the quiet arms of grief.
In the grey summer garden I shall find you
With day-break and the morning hills behind you.
There will be rain-wet roses; stir of wings;
And down the wood a thrush that wakes and sings.
Not from the past you’ll come, but from that deep
Where beauty murmurs to the soul asleep:
And I shall know the sense of life re-born
From dreams into the mystery of morn
Where gloom and brightness meet. And standing there
Till that calm song is done, at last we’ll share
The league-spread, quiring symphonies that are
In that year I was perfect
and in mourning
Blue glass tends to replace
lapis, I look out and it's
winter: from my window
I see only afternoons, white
silent trumpet flowers, each
abiding in its proper exile, come
to better terms, wrong air
where voice is theft itself
Tamper, tempered, sun throws me
like a shadow, very unlike a day
between two rains (and in
describing, it was that nothing
which defended me, dearest
unknown, dear why, why not
as well: presence
I wrung my hands under my dark veil. . .
"Why are you pale, what makes you reckless?"
-- Because I have made my loved one drunk
with an astringent sadness.
I'll never forget. He went out, reeling;
his mouth was twisted, desolate. . .
I ran downstairs, not touching the banisters,
and followed him as far as the gate.
And shouted, choking: "I meant it all
in fun. Don't leave me, or I'll die of pain."
He smiled at me -- oh so calmly, terribly --
and said: "Why don't you get out of the rain?"
I would like to describe the simplest emotion
joy or sadness
but not as others do
reaching for shafts of rain or sun
I would like to describe a light
which is being born in me
but I know it does not resemble
any star
for it is not so bright
not so pure
and is uncertain
I would like to describe courage
without dragging behind me a dusty lion
and also anxiety
without shaking a glass full of water
to put it another way
I would give all metaphors
I Stood with the Dead, so forsaken and still:
When dawn was grey I stood with the Dead.
And my slow heart said, 'You must kill, you must kill:
'Soldier, soldier, morning is red'.
On the shapes of the slain in their crumpled disgrace
I stared for a while through the thin cold rain...
'O lad that I loved, there is rain on your face,
'And your eyes are blurred and sick like the plain.'
I stood with the Dead ... They were dead; they were dead;
My heart and my head beat a march of dismay:
People sit numbly at the counter
waiting for breakfast or service.
Today it's Hartford, Connecticut
more than twenty-five years after
the last death of Wallace Stevens.
I have come in out of the cold
and wind of a Sunday morning
of early March, and I seem to be
crying, but I'm only freezing
and unpeeled. The waitress brings
me hot tea in a cracked cup,
and soon it's all over my paper,
and so she refills it. I read
slowly in The New York Times
that poems are dying in Iowa,
