Premonition

'Twas a year ago and the moon was bright
(Oh, I remember so well, so well);
I walked with my love in a sea of light,
And the voice of my sweet was a silver bell.
And sudden the moon grew strangely dull,
And sudden my love had taken wing;
I looked on the face of a grinning skull,
I strained to my heart a ghastly thing.

'Twas but fantasy, for my love lay still
In my arms, with her tender eyes aglow,
And she wondered why my lips were chill,


Prayer for Patience

Lord, who hast suffer'd all for me,
My peace and pardon to procure,
The lighter cross I bear for Thee,
Help me with patience to endure.

The storm of loud repining hush;
I would in humble silence mourn;
Why should the unburnt, though burning bush,
Be angry as the crackling thorn?

Man should not faint at Thy rebuke,
Like Joshua falling on his face,
When the cursed thing that Achan took
Brought Israel into just disgrace.

Perhaps some golden wedge suppress'd,


Precious to MeShe still shall be

727

Precious to Me—She still shall be—
Though She forget the name I bear—
The fashion of the Gown I wear—
The very Color of My Hair—

So like the Meadows—now—
I dared to show a Tress of Theirs
If haply—She might not despise
A Buttercup's Array—

I know the Whole—obscures the Part—
The fraction—that appeased the Heart
Till Number's Empery—
Remembered—as the Millner's flower

When Summer's Everlasting Dower—
Confronts the dazzled Bee.


Prelude to an Unwritten Masterpiece

You like my bird-sung gardens: wings and flowers;
Calm landscapes for emotion; star-lit lawns;
And Youth against the sun-rise ... ‘Not profound;
‘But such a haunting music in the sound:
‘Do it once more; it helps us to forget’.

Last night I dreamt an old recurring scene—
Some complex out of childhood; (sex, of course!)
I can’t remember how the trouble starts;
And then I’m running blindly in the sun
Down the old orchard, and there’s something cruel
Chasing me; someone roused to a grim pursuit


Preface to Hunting of the Snark

PREFACE

If---and the thing is wildly possible---the charge of writing
nonsense were ever brought against the author of this brief but
instructive poem, it would be based, I feel convinced, on the line

``Then the bowsprit got mixed with the rudder sometimes''

In view of this painful possibility, I will not (as I might) appeal
indignantly to my other writings as a proof that I am incapable of
such a deed: I will not (as I might) point to the strong moral


Portrait of the Artist as a Prematurely Old Man

It is common knowledge to every schoolboy and even every Bachelor of Arts,
That all sin is divided into two parts.
One kind of sin is called a sin of commission, and that is very important,
And it is what you are doing when you are doing something you ortant,
And the other kind of sin is just the opposite and is called a sin of omission
    and is equally bad in the eyes of all right-thinking people, from
    Billy Sunday to Buddha,
And it consists of not having done something you shuddha.


Poppies on the Wheat

Along Ancona's hills the shimmering heat,
A tropic tide of air with ebb and flow
Bathes all the fields of wheat until they glow
Like flashing seas of green, which toss and beat
Around the vines. The poppies lithe and fleet
Seem running, fiery torchmen, to and fro
To mark the shore.
The farmer does not know
That they are there. He walks with heavy feet,
Counting the bread and wine by autumn's gain,
But I,--I smile to think that days remain
Perhaps to me in which, through bread be sweet


Poem With Refrains

The opening scene. The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses. Funeral meats. The clever
Abandoned orphan. The great athletic killer
Sulking in his tent. As though all stories began
With someone dying.

When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying. I don't know why:


Poem Of Night

1

I move my hand over
slopes, falls, lumps of sight,
Lashes barely able to be touched,
Lips that give way so easily
it's a shock to feel underneath them

The bones smile.

Muffled a little, barely cloaked,
Zygoma, maxillary, turbinate.

2

I put my hand
On the side of your face,
You lean your head a little
Into my hand--and so,
I know you're a dormouse
Taken up in winter sleep,
A lonely, stunned weight.

3

A cheekbone,


Poem Remember midsummer the fragrance of box

Remember midsummer: the fragrance of box, of white
roses
And of phlox. And upon a honeysuckle branch
Three snails hanging with infinite delicacy
-- Clinging like tendril, flake and thread, as self-tormented
And self-delighted as any ballerina,
just as in the orchard,
Near the apple trees, in the over-grown grasses
Drunken wasps clung to over-ripe pears
Which had fallen: swollen and disfigured.
For now it is wholly autumn: in the late
Afternoon as I walked toward the ridge where the hills


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