In Paris on a morn of May
I sent a radio transalantic
To catch a steamer on the way,
But oh the postal fuss was frantic;
They sent me here, they sent me there,
They were so courteous yet so canny;
Then as I wilted in despair
A Frenchman flipped me on the fanny.

'Twas only juts a gentle pat,
Yet oh what sympathy behind it!
I don't let anyone do that,
But somehow then I didn't mind it.
He seemed my worry to divine,
With kindly smile, that foreign mannie,
And as we stood in waiting line
With tender touch he tapped my fanny.

I WILL make you brooches and toys for your delight
Of bird-song at morning and star-shine at night.
I will make a palace fit for you and me,
Of green days in forests and blue days at sea.

I will make my kitchen, and you shall keep your room,
Where white flows the river and bright blows the broom,
And you shall wash your linen and keep your body white
In rainfall at morning and dewfall at night.

And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!

To clasp you now and feel your head close-pressed,
Scented and warm against my beating breast;

To whisper soft and quivering your name,
And drink the passion burning in your frame;

To lie at full length, taut, with cheek to cheek,
And tease your mouth with kisses till you speak

Love words, mad words, dream words, sweet senseless words,
Melodious like notes of mating birds;

To hear you ask if I shall love always,
And myself answer: Till the end of days;

To feel your easeful sigh of happiness

‘Anticipation is sweeter than realisation.’

It may be, yet I have not found it so.
In those first golden dreams of future fame
I did not find such happiness as came
When toil was crowned with triumph. Now I know
My words have recognition, and will go
Straight to some listening heart, my early aim,
To win the idle glory of a name,
Pales like a candle in the noonday’s glow.

So with the deeper joys of which I dreamed:
Life yields more rapture than did childhood’s fancies,
And each year brings more pleasure than I waited.

O Mother Earth! upon thy lap
Thy weary ones receiving,
And o'er them, silent as a dream,
Thy grassy mantle weaving,
Fold softly in thy long embrace
That heart so worn and broken,
And cool its pulse of fire beneath
Thy shadows old and oaken.

Shut out from him the bitter word
And serpent hiss of scorning;
Nor let the storms of yesterday
Disturb his quiet morning.
Breathe over him forgetfulness
Of all save deeds of kindness,
And, save to smiles of grateful eyes,
Press down his lids in blindness.

The lady at the corner wicket
Sold me a stamp, I stooped to lick it,
And on the envelope to stick it;
A spinster lacking girlish grace,
Yet sweetly sensitive, her face
Seemed to en-star that stodgy place.

Said I: "I've come from o'er the sea
To ask you if you'll marry me -
That is to say, if you are free.
I see your gentle features freeze;
'I do not like such jokes as these,'
You seem to say . . . Have patience, please.

I saw you twenty years ago;
Just here you sold me stamps, and Oh
Your image seemed to haunt me so.

A gaunt built woman and her son-in-law—
A broad-faced fellow, with such flesh as shows
Nothing but easy nature—and his wife,
The woman’s daughter, who spills all her talk
Out of a wide mouth, but who has eyes as gray
As Connemara, where the mountain-ash
Shows berries red indeed: they enter now—
Our country singers!
“Sing, my good woman, sing us some romance
That has been round your chimney-nooks so long
’Tis nearly native; something blown here
And since made racy—like yon tree, I might say,

SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the prince---. The ladies in character costumes and masks. The gentlement in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue.

First, London, for its myriads; for its height,
Manhattan heaped in towering stalagmite;
But Paris for the smoothness of the paths
That lead the heart unto the heart's delight. . . .


Fair loiterer on the threshold of those days
When there's no lovelier prize the world displays
Than, having beauty and your twenty years,
You have the means to conquer and the ways,


And coming where the crossroads separate
And down each vista glories and wonders wait,
Crowning each path with pinnacles so fair

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:
We breed our firmest facts of air;