romance

‘Anticipation is sweeter than realisation.’

It may be, yet I have not found it so.
In those first golden dreams of future fame
I did not find such happiness as came
When toil was crowned with triumph. Now I know
My words have recognition, and will go
Straight to some listening heart, my early aim,
To win the idle glory of a name,
Pales like a candle in the noonday’s glow.

So with the deeper joys of which I dreamed:
Life yields more rapture than did childhood’s fancies,

O Mother Earth! upon thy lap
Thy weary ones receiving,
And o'er them, silent as a dream,
Thy grassy mantle weaving,
Fold softly in thy long embrace
That heart so worn and broken,
And cool its pulse of fire beneath
Thy shadows old and oaken.

Shut out from him the bitter word
And serpent hiss of scorning;
Nor let the storms of yesterday
Disturb his quiet morning.
Breathe over him forgetfulness
Of all save deeds of kindness,
And, save to smiles of grateful eyes,

The lady at the corner wicket
Sold me a stamp, I stooped to lick it,
And on the envelope to stick it;
A spinster lacking girlish grace,
Yet sweetly sensitive, her face
Seemed to en-star that stodgy place.

Said I: "I've come from o'er the sea
To ask you if you'll marry me -
That is to say, if you are free.
I see your gentle features freeze;
'I do not like such jokes as these,'
You seem to say . . . Have patience, please.

I saw you twenty years ago;
Just here you sold me stamps, and Oh

A gaunt built woman and her son-in-law—
A broad-faced fellow, with such flesh as shows
Nothing but easy nature—and his wife,
The woman’s daughter, who spills all her talk
Out of a wide mouth, but who has eyes as gray
As Connemara, where the mountain-ash
Shows berries red indeed: they enter now—
Our country singers!
“Sing, my good woman, sing us some romance
That has been round your chimney-nooks so long
’Tis nearly native; something blown here
And since made racy—like yon tree, I might say,

SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the prince---. The ladies in character costumes and masks. The gentlement in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue.

First, London, for its myriads; for its height,
Manhattan heaped in towering stalagmite;
But Paris for the smoothness of the paths
That lead the heart unto the heart's delight. . . .


Fair loiterer on the threshold of those days
When there's no lovelier prize the world displays
Than, having beauty and your twenty years,
You have the means to conquer and the ways,


And coming where the crossroads separate
And down each vista glories and wonders wait,
Crowning each path with pinnacles so fair

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:

When Susan's work was done, she'd sit
With one fat guttering candle lit,
And window opened wide to win
The sweet night air to enter in;
There, with a thumb to keep her place
She'd read, with stern and wrinkled face.
Her mild eyes gliding very slow
Across the letters to and fro,
While wagged the guttering candle flame
In the wind that through the window came.
And sometimes in the silence she
Would mumble a sentence audibly,
Or shake her head as if to say,
"You silly souls, to act this way!"

Last night some yellow letters fell
From out a scrip I found by chance;
Among them was the silent ghost,
The spirit of my first romance:
And in a faint blue envelope
A withered rose long lost to dew
Bore witness to the dashing days
When love was large and wits were few.

Yet standing there all worn and grey
The teardrops quivered in my eyes
To think of Youth's unshaken front,
The forehead lifted to the skies;
How rough a hill my eager feet
Flung backward when upon its crest

The Muse is stern unto her favoured sons,
Giving to some the keys of all the joy
Of the green earth, but holding even that joy
Back from their life;
Bidding them feed on hope,
A plant of bitter growth,
Deep-rooted in the past;
Truth, 'tis a doubtful art
To make Hope sweeten
Time as it flows;
For no man knows
Until the very last,
Whether it be a sovereign herb that he has eaten,
Or his own heart.

O stern, implacable Muse,
Giving to Keats so richly dowered,