DRINK of our Cup--of the red wine that burns in it,
All the wild shames that have crusted its mouth,
Passion that twists in it, Madness that churns in it,
Fever that yearns in it, Folly that turns in it,
Drink of our Cup! It is Love, it is Youth!

"Amorous valleys have travailed to breed in it,
Eden hath shaken one tree at its brim,
Syria scattered an infamous seed in it,
Paphos hath freed in it lovers, to bleed in it,
Foam from Armida hath rusted its rim!

Chalice of gold with the bruised roses dying there,

Not yet will those measureless fields be green again
Where only yesterday the wild sweet blood of wonderful youth was shed;
There is a grave whose earth must hold too long, too deep a stain,
Though for ever over it we may speak as proudly as we may tread.
But here, where the watchers by lonely hearths from the thrust of an inward sword have more slowly bled,
We shall build the Cenotaph: Victory, winged, with Peace, winged too, at the column’s head.
And over the stairway, at the foot—oh! here, leave desolate, passionate hands to spread

At intermission I find her backstage
still practicing the piece coming up next.
She calls it the "solo in high dreary."
Her bow niggles at the string like a hand
stroking skin it never wanted to touch.
Probably under her scorn she is sick
that she can't do better by it. As I am,
at the dreary in me, such as the disparity
between all the tenderness I've received
and the amount I've given, and the way
I used to shrug off the imbalance
simply as how things are, as if the male
were constituted like those coffeemakers

I rose at night and visited
The Cave of the Unborn,
And crowding shapes surrounded me
For tidings of the life to be,
Who long had prayed the silent Head
To speed their advent morn.

Their eyes were lit with artless trust;
Hope thrilled their every tone:
"A place the loveliest, is it not?
A pure delight, a beauty-spot
Where all is gentle, pure and just
And ??violence?? is unknown?"

My heart was anguished for their sake;
I could not frame a word;
But they descried my sunken face
And seemed to read therein, and trace

THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,

See, as the carver carves a rose,
A wing, a toad, a serpent's eye,
In cruel granite, to disclose
The soft things that in hardness lie,
So this one, taking up his heart,
Which time and change had made a stone,
Carved out of it with dolorous art,
Laboring yearlong and alone,
The thing there hidden—rose, toad, wing?
A frog's hand on a lily pad?
Bees in a cobweb?—no such thing!
A girl's head was the thing he had,
Small, shapely, richly crowned with hair,
Drowsy, with eyes half closed, as they
Looked through you and beyond you, clear

The summer dawn came over-soon,
The earth was like hot iron at noon
In Nazareth;
There fell no rain to ease the heat,
And dusk drew on with tired feet
And stifled breath.

The shop was low and hot and square,
And fresh-cut wood made sharp the air,
While all day long
The saw went tearing thru the oak
That moaned as tho' the tree's heart broke
Beneath its wrong.

The narrow street was full of cries,
Of bickering and snarling lies
In many keys--
The tongues of Egypt and of Rome

[I was talking with a newspaper man the other day who seemed to think that the fact that Mrs. Carlyle threw a teacup at Mr. Carlyle should be given to the public merely as a fact. But a fact presented to the people without the proper--or even, if necessary, without the improper--human being to go with it does not mean anything and does not really become alive or caper about in people's minds.

Remember that object we saw, dear soul,
In the sweetness of a summer morn:
At a bend of the path a loathsome carrion
On a bed with pebbles strewn,

With legs raised like a lustful woman,
Burning and sweating poisons,
It spread open, nonchalant and scornful,
Its belly, ripe with exhalations.

The sun shone onto the rotting heap,
As if to bring it to the boil,
And tender a hundredfold to vast Nature
All that together she had joined;

And the sky watched that superb carcass
Like a flower blossom out.

Methought I saw him but I knew him not;
He was so changed from what he used to be,
There was no redness on his woe-worn cheek,
No sunny smile upon his ashy lips,
His hollow wandering eyes looked wild and fierce,
And grief was printed on his marble brow,
And O I thought he clasped his wasted hands,
And raised his haggard eyes to Heaven, and prayed
That he might die -- I had no power to speak,
I thought I was allowed to see him thus;
And yet I might not speak one single word;
I might not even tell him that I lived