E v'ry grace in her combine,
L ove and truth and friendship join,
I n one source without reserve,
Z ealous all her friends to serve,
A nd diffuse true harmony.

H appy nymph of chaste repose,
U nsullied as the vernal rose.
G ay -- majestic -- yet serene,
H andsome, with a graceful mien;
E v'ry charm in her appear,
S he is lovely, chaste and fair.

The Year's twelve daughters had in turn gone by,
Of measured pace tho' varying mien all twelve,
Some froward, some sedater, some adorn'd
For festival, some reckless of attire.
The snow had left the mountain-top; fresh flowers
Had withered in the meadow; fig and prune
Hung wrinkling; the last apple glow'd amid
Its freckled leaves; and weary oxen blinkt
Between the trodden corn and twisted vine,
Under whose bunches stood the empty crate,
To creak ere long beneath them carried home.
This was the season when twelve months before,

With the ladies' permission, most humbly I'd mention
How much we're obliged by all their attention;
We sink with the weight of the huge obligation
Too long & too broad to admit compensation.
For us (and I blush while I speak I declare)
The charming enchanters be-torture their hair
Till gently it rises and swells like a knoll
Thirty inches at least from the dear little poll;
From the tip-top of which all peer out together
The ribband, the gause & the ostrich's feather;
Composing a sight for an Arab to swear at

HATH he not followed a star through the darkness,
Ye people who sit at the table of Jephthah?
Oh! turn with the face to a light in the mountains,
Behold it is further from Achan than ever!
“I know how it is with my brothers in Mizpeh,”
Said Achan, the swift-footed runner of Zorah,
“They look at the wood they have hewn for the altar;
And think of a shadow in sackcloth and ashes.

“I know how it is with the daughter of Jephthah,
(O Ada, my love, and the fairest of women!)
She wails in the time when her heart is so zealous

'Twas the night before Christmas,when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And Mama in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap;
When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.

Ah, happy air that, rough or soft,
   May kiss that face and stay;
And happy beams that from above
   May choose to her their way;
And happy flowers that now and then
   Touch lips more sweet than they!

But it were not so blest to be
   Or light or air or rose;
Those dainty fingers tear and toss
   The bloom that in them glows;
And come or go, both wind and ray
   She heeds not, if she knows.

But if I come thy choice should be

Sometimes I know the way
You walk, up over the bay;
It is a wind from that far sea
That blows the fragrance of your hair to me.

Or in this garden when the breeze
Touches my trees
To stir their dreaming shadows on the grass
I see you pass.

In sheltered beds, the heart of every rose
Serenely sleeps to-night. As shut as those
Your garded heart; as safe as they fomr the beat, beat
Of hooves that tread dropped roses in the street.

Turn never again
On these eyes blind with a wild rain
Your eyes; they were stars to me.--

WHEN from the craggy mountain's pathless steep,
Whose flinty brow hangs o'er the raging sea,
My wand'ring eye beholds the foamy deep,
I mark the restless surge­and think of THEE.
The curling waves, the passing breezes move,
Changing and treach'rous as the breath of LOVE;
The "sad similitude" awakes my smart,
And thy dear image twines about my heart.

When at the sober hour of sinking day,
Exhausted Nature steals to soft repose,
When the hush'd linnet slumbers on the spray,
And scarce a ZEPHYR fans the drooping ROSE;

There are scenes in the distance where beauty is not,
On the desolate flats where gaunt appletrees rot.
Where the brooding old ridge rises up to the breeze
From his dark lonely gullies of stringy-bark trees,
There are voice-haunted gaps, ever sullen and strange,
But Eurunderee lies like a gem in the range.

Still I see in my fancy the dark-green and blue
Of the box-covered hills where the five-corners grew;
And the rugged old sheoaks that sighed in the bend
O'er the lily-decked pools where the dark ridges end,

1

Troy O Troy
an archeologist
will sift your ashes through his fingers
yet a fire occurred greater than that of the Iliad
for seven strings--

too few strings
one needs a chorus
a sea of laments
and thunder of mountains
rain of stone

--how to lead
people away from the ruins
how to lead
the chorus from poems--

thinks the faultless poet
respectably mute
as a pillar of salt
--The song will escape unharmed
It escaped
with flaming wing
into a pure sky

The moon rises over the ruins