Art thou a Statist in the van
Of public conflicts trained and bred?
--First learn to love one living man;
'Then' may'st thou think upon the dead.

A Lawyer art thou?--draw not nigh!
Go, carry to some fitter place
The keenness of that practised eye,
The hardness of that sallow face.

Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near,
This grave no cushion is for thee.

Or art thou one of gallant pride,
A Soldier and no man of chaff?

West Fifty-third was still Hell's Kitchen
the summer I first came to town,
Eleventh Avenue was boarded up,
the West Side Drive was falling down;
Jimmy Carter was still President,
though he'd become a running joke;
Abe Beame had recently been Mayor,
and New York City was flat broke.
I, too, was broke, the flat was free,
and so I landed in that place,
a walk-up three-room shotgun which
a gallery used for storage space
and where I could stay as long as I liked,
provided I kept an eye on the art . . .

Oh, I know a certain lady who is reckoned with the good,
Yet she fills me with more terror than a raging lion would.
The little chills run up and down my spine whene’er we meet,
Though she seems a gentle creature, and she’s very trim and neat.

And she has a thousand virtues and not one acknowledged sin,
But she is the sort of person you could liken to a pin.
And she pricks you and she sticks you in a way that can’t be said.
If you seek for what has hurt you – why, you cannot find the head.

They made the chamber sweet with flowers and leaves,
And the bed sweet with flowers on which I lay;
While my soul, love-bound, loitered on its way.
I did not hear the birds about the eaves,
Nor hear the reapers talk among the sheaves:
Only my soul kept watch from day to day,
My thirsty soul kept watch for one away:--
Perhaps he loves, I thought, remembers, grieves.
At length there came the step upon the stair,
Upon the lock the old familiar hand:
Then first my spirit seemed to scent the air
Of Paradise; then first the tardy sand

Nature feels the touch of noon;
   Not a rustle stirs the grass;
Not a shadow flecks the sky,
Save the brown hawk hovering nigh;
   Not a ripple dims the glass
   Of the wide lagoon.

Darkly, like an armed host
   Seen afar against the blue,
Rise the hills, and yellow-grey
Sleeps the plain in cove and bay,
   Like a shining sea that dreams
   Round a silent coast.

From the heart of these blue hills,

A PAIR of lovers in the street!
I dare not mock: with reverence meet
My unforgetting heart I cheat.

Ah, God, spare me—so soon again
At the barred door to beat in vain,
And find their dalliance such fierce pain!

I, yearning up from Hell’s abyss,
See, dreaming through their worlds of bliss,
This Dante and his Beatrice!

For these the distant goal have won
For which God made the plasm and sun;
His patient labouring is done.

Near the dry river's water-mark we found
Your brother Minnegan,
Flopped like a fish against the muddy ground.
Beany, the kid whose yellow hair turns green,
Told me to find you, even if the rain,
And tell you he was drowned.

I hid behind the chassis on the bank,
The wreck of someone's Ford:
I was afraid to come and wake you drunk:
You told me once the waking up was hard,
The daylight beating at you like a board.
Blood in my stomach sank.

Beside, you told him never to go out
Along the river-side

There are songs for the morning and songs for the night,
For sunrise and sunset, the stars and the moon;
But who will give praise to the fulness of light,
And sing us a song of the glory of noon?
Oh, the high noon, the clear noon,
The noon with golden crest;
When the blue sky burns, and the great sun turns
With his face to the way of the west!

How swiftly he rose in the dawn of his strength;
How slowly he crept as the morning wore by;
Ah, steep was the climbing that led him at length

A deep, delicious hush in earth and sky --
A gracious lull--since, from its wakening,
The morn has been a feverish, restless thing
In which the pulse of Summer ran too high
And riotous, as though its heart went nigh
To bursting with delights past uttering:
Now--as an o'erjoyed child may cease to sing
All falteringly at play, with drowsy eye
Draining the pictures of a fairy-tale
To brim his dreams with--there comes o'er the day
A loathful silence wherein all sounds fail
Like loitering sounds of some roundelay . . .

'Tis the year's midnight, and it is the day's,
Lucy's, who scarce seven hours herself unmasks;
The sun is spent, and now his flasks
Send forth light squibs, no constant rays;
The world's whole sap is sunk;
The general balm th' hydroptic earth hath drunk,
Whither, as to the bed's feet, life is shrunk,
Dead and interr'd; yet all these seem to laugh,
Compar'd with me, who am their epitaph.

Study me then, you who shall lovers be
At the next world, that is, at the next spring;