running

You're like a scorpion, my brother,
you live in cowardly darkness
like a scorpion.
You're like a sparrow, my brother,
always in a sparrow's flutter.
You're like a clam, my brother,
closed like a clam, content,
And you're frightening, my brother,
like the mouth of an extinct volcano.

Not one,
not five--
unfortunately, you number millions.
You're like a sheep, my brother:
when the cloaked drover raises his stick,

1

Against the stone breakwater,
Only an ominous lapping,
While the wind whines overhead,
Coming down from the mountain,
Whistling between the arbors, the winding terraces;
A thin whine of wires, a rattling and flapping of leaves,
And the small street-lamp swinging and slamming against
the lamp pole.

Where have the people gone?
There is one light on the mountain.

2

Along the sea-wall, a steady sloshing of the swell,
The waves not yet high, but even,

I take you looking at the statue
the smile is yours and the stone is you
the stone is simple and the smile is playful
the smile is stolen and the stone is fallen
I ask you to stand and smile like that until
thinking you stone, time has forgotten you.
They say but really I forget

however picturesque
however figurative
whether so often and so quizzical
whoever it was crying in another voice ...
Let us sit like tailors. At least 1 am sure of this:
man or woman or beast I recall no face.

There lived in Munich a poor, weakly youth,
But for the exact date, I cannot vouch for the truth,
And of seven of a family he was the elder,
Who was named, by his parents, Alois Senefelder.

But, poor fellow, at home his father was lying dead,
And his little brothers and sisters were depending upon him for bread,
And one evening he was dismissed from his employment,
Which put an end to all his peace and enjoyment.

The poor lad was almost mad, and the next day
His parent's remains to the cemetery were taken away;

Florida

An Airedale rolling through green frost,
cabbage palms pointing their accusing leaves
at whom, petulant waves breaking at my feet.
I ran from them. Nights, yellow lights
scoured sand. What was ever found
but women in skirts folded around the men
they loved that Friday? No one found me.
And how could that have been, here, where
even botanical names were recorded
and small roads mapped in red?
Night, the sky is black paper pecked with pinholes.
Tortoises push eggs into warm sand.

There in the fringe of trees between
the upper field and the edge of the one
below it that runs above the valley
one time I heard in the early
days of summer the clear ringing
six notes that I knew were the opening
of the Fingal's Cave Overture
I heard them again and again that year
and the next summer and the year
afterward those six descending
notes the same for all the changing
in my own life since the last time
I had heard them fall past me from
the bright air in the morning of a bird

She walks-the lady of my delight-
A shepherdess of sheep.
Her flocks are thoughts. She keeps them white;
She keeps them from the steep;
She feeds them on the fragrant height,
And folds them in for sleep.

She roams maternal hills and bright,
Dark valleys safe and deep.
Into that tender breast at night
The chastest stars may peep.
She walks-the lady of my delight-
A shepherdess of sheep.

She holds her little thoughts in sight,
Though gay they run and leap.

JANUS
Chronos, Chronos, mend thy pace,
An hundred times the rolling sun
Around the radiant belt has run
In his revolving race.
Behold, behold, the goal in sight,
Spread thy fans, and wing thy flight.

Enter CHRONOS, with a scythe in his hand, and a great globe on his back,
which he sets down at his entrance

CHRONOS
Weary, weary of my weight,
Let me, let me drop my freight,
And leave the world behind.
I could not bear
Another year

I walked among the seven woods of Coole:
Shan-walla, where a willow-hordered pond
Gathers the wild duck from the winter dawn;
Shady Kyle-dortha; sunnier Kyle-na-no,
Where many hundred squirrels are as happy
As though they had been hidden hy green houghs
Where old age cannot find them; Paire-na-lee,
Where hazel and ash and privet hlind the paths:
Dim Pairc-na-carraig, where the wild bees fling
Their sudden fragrances on the green air;
Dim Pairc-na-tarav, where enchanted eyes
Have seen immortal, mild, proud shadows walk;

Come, let us sing with a right good ring
(Sing hey for lifting lay, sing hey!)
Of any old, sunny old, silly old thing.
(Sing ho for the ballad of a backblock day!)
The sun shone brightly overhead,
And the shearers stood by the shearing shed;
But "The run wants rain," the stockman said
(Sing di-dum, wattle-gum, Narrabori Ned.
For a lifting lay sing hey!)

The colts were clipped and the sheep were shorn
(Sing hey for a lilting lay, sing hey!)
But the stockman stood there all forlorn.