Of all the meals that glad my day
My morning one's the best;
Purveyed me on a silver tray,
Immaculately dressed.
I rouse me when the dawn is bright;
I leap into the sea,
Returning with a rare delight
To honey, toast and tea.
II
My appetite was razor edged
When I was in my prime;
To eggs and bacon I was pledged . . .
Ala! the March of Time;
For now a genial old gent
With journal on my knee,
I sip and take with vast content
My honey, toast and tea.
III
So set me up for my delight
The harvest of the bee;

A cup of opal
Through which there glows
The cream of the pearl,
The heart of the rose;
And the blue of the sea
Where Australia lies,
And the amber flush
Of her sunset skies,
And the emerald tints
Of the dragon fly
Shall stain my cup
With their brilliant dye.
And into this cup
I would pour the wine
Of youth and health
And the gifts divine
Of music and song,
And the sweet content
Which must ever belong
To a life well spent.
And what bread would I break
With my wine, think you?

Oh, big was the bosom of brave ALUM BEY,
And also the region that under it lay,
In safety and peril remarkably cool,
And he dwelt on the banks of the river Stamboul.

Each morning he went to his garden, to cull
A bunch of zenana or sprig of bul-bul,
And offered the bouquet, in exquisite bloom,
To BACKSHEESH, the daughter of RAHAT LAKOUM.

No maiden like BACKSHEESH could tastily cook
A kettle of kismet or joint of tchibouk,
As ALUM, brave fellow! sat pensively by,
With a bright sympathetic ka-bob in his eye.

I was a Pirate once,
A blustering fellow with scarlet sash,
A ready cutlass and language rash;
From a ship with a rum-filled water-tank
I made the enemy walk the plank;
I marooned a man on an island bare,
And seized his wife by her long, dark hair;
Took treasure, such heaps of it!—wealth untold—
Bright bars of silver and chunks of gold!
Till my ship was choked to the decks with pelf,
And no one dare touch it except myself
And my black flag waved to the tearing breeze,
And I was the terror of all the seas!

I ain't the kind of bloke as takes to any steady job;
I drives me bottle cart around the town;
A bloke what keeps 'is eyes about can always make a bob --
I couldn't bear to graft for every brown.
There's lots of handy things about in everybody's yard,
There's cocks and hens a-runnin' to an' fro,
And little dogs what comes and barks -- we take 'em off their guard
And we puts 'em with the Empty Bottle-O!

Chorus --
So it's any "Empty bottles! Any empty bottle-O!"
You can hear us round for half a mile or so

(Time, Morning. Scene, the Shore.)

Once more to daily toil--once more to wear
The weeds of infamy--from every joy
The heart can feel excluded, I arise
Worn out and faint with unremitting woe;
And once again with wearied steps I trace
The hollow-sounding shore. The swelling waves
Gleam to the morning sun, and dazzle o'er
With many a splendid hue the breezy strand.
Oh there was once a time when ELINOR
Gazed on thy opening beam with joyous eye
Undimm'd by guilt and grief! when her full soul
Felt thy mild radiance, and the rising day

My northern pines are good enough for me,
But there’s a town my memory uprears—
A town that always like a friend appears,
And always in the sunrise by the sea.
And over it, somehow, there seems to be
A downward flash of something new and fierce,
That ever strives to clear, but never clears
The dimness of a charmed antiquity.

All those times I was bored
out of my mind. Holding the log
while he sawed it. Holding
the string while he measured, boards,
distances between things, or pounded
stakes into the ground for rows and rows
of lettuces and beets, which I then (bored)
weeded. Or sat in the back
of the car, or sat still in boats,
sat, sat, while at the prow, stern, wheel
he drove, steered, paddled. It
wasn't even boredom, it was looking,
looking hard and up close at the small
details. Myopia. The worn gunwales,
the intricate twill of the seat

I like to think that when I fall,
A rain-drop in Death's shoreless sea,
This shelf of books along the wall,
Beside my bed, will mourn for me.
II
Regard it. . . . Aye, my taste is queer.
Some of my bards you may disdain.
Shakespeare and Milton are not here;
Shelly and Keats you seek in vain.
Wordsworth, Tennyson, Browning too,
Remarkably are not in view.
III
Who are they? Omar first you see,
With Vine and Rose and Nightingale,
Voicing my pet philosphy
Of Wine and Song. . . . Then Reading Gaol,

And so in first place, then
With thunder are shaken the blue deeps of heaven,
Because the ethereal clouds, scudding aloft,
Together clash, what time 'gainst one another
The winds are battling. For never a sound there come
From out the serene regions of the sky;
But wheresoever in a host more dense
The clouds foregather, thence more often comes
A crash with mighty rumbling. And, again,
Clouds cannot be of so condensed a frame
As stones and timbers, nor again so fine
As mists and flying smoke; for then perforce