shopping

The body man is in a job
That he's been in for years.
He gets it done, as they all do,
With muscle, sweat.... and beers.

Well, first he checks the damage done,
And tallies up the count;
Then writes it down and shows us how
It dents our bank account.

The craftsman, the mechanic,
And the artist do their thing.
The painter sprays and touches up
The job with coloring.

Each one will set his private pride
On everything he does.
In answer to my question, 'Why? '

All ye tourists who wish to be away
From the crowded city for a brief holiday;
The town of Nairn is worth a visit, I do confess,
And it's only about fifteen miles from Inverness.

And in the summer season it's a very popular bathing-place,
And the visitors from London and Edinburgh finds solace,
As they walk along the yellow sand beach inhaling fresh air;
Besides, there's every accommodation for ladies and gentlemen there.

Then there's a large number of bathing coaches there,

Ah, well! but the case seems hopeless, and the pen might write in vain;

The people gabble of old things over and over again.

For the sake of the sleek importer we slave with the pick and the shears,

While hundreds of boys in Australia long to be engineers.



A new generation has risen under Australian skies,

Boys with the light of genius deep in their dreamy eyes---

Not as of artists or poets with their vain imaginings,

Now Pat Ahearne, of Ingleburn
Upon the Castlereagh,
Was flush of cash and very "flash"
As shearer-persons say.
At Yankee grab his luck was cool,
At loo he'd lately scooped the pool;
He'd simply smashed the two-up school -
[Assisted by a "grey!"]

And Pat grew then like other men,
His head began to swell;
As he was fly he thought he'd try
The Sydney folks as well.
"Their chances would be mighty slim
Of working any points on him,
When Euchre Bill and Ginger Jim

All day and night, save winter, every weather,
Above the inn, the smithy and the shop,
The aspens at the cross-roads talk together
Of rain, until their last leaves fall from the top.

Out of the blacksmith's cavern comes the ringing
Of hammer, shoe and anvil; out of the inn
The clink, the hum, the roar, the random singing -
The sounds that for these fifty years have been.

The whisper of the aspens is not drowned,
And over lightless pane and footless road,
Empty as sky, with every other sound

Mr. Ramsbottom went to the races,
A thing as he'd ne'er done before,
And as luck always follers beginners,
Won five pounds, no-less and no-more.

He felt himself suddenly tempted
To indulge in some reckless orgee,
So he went to a caffy-a-teerer
And had a dressed crab with his tea.

He were crunching the claws at the finish
And wondering what next he would do,
Then his thoughts turned to home and to Mother,
And what she would say when she knew.

For Mother were dead against racing

He gave a picture exhibition,
Hiring a little empty shop.
Above its window: FREE ADMISSION
Cajoled the passers-by to stop;
Just to admire - no need to purchase,
Although his price might have been low:
But no proud artist ever urges
Potential buyers at his show.
II
Of course he badly needed money,
But more he needed moral aid.
Some people thought his pictures funny,
Too ultra-modern, I'm afraid.
His painting was experimental,
Which no poor artist can afford-
That is, if he would pay the rental

So how is life with your new bloke?
Simpler, I bet. Just one stroke
of his quivering oar and the skin
of the Thames goes into a spin,

eh? How is life with an oarsman? Better?
More in--out? Athletic? Wetter?
When you hear the moan of the rowlocks,
do you urge him on like a cox?

Tell me, is he bright enough to find
that memo-pad you call a mind?
Or has he contrived to bring you out--
given you an in-tray and an out?

How did I ever fall for a paper-clip?

Britannia needs no Boulevards,
No spaces wide and gay:
Her march was through the crooked streets
Along the narrow way.
Nor looks she where, New York's seduction,
The Broadway leadeth to destruction.

Britannia needs no Cafes:
If Coffee needs must be,
Its place should be the Coffee-house
Where Johnson growled for Tea;
But who can hear that human mountain
Growl for an ice-cream soda-fountain?

She needs no Russian Theatrey
Mere Father strangles Mother,
In scenes where all the characters

Always for the first time
Hardly do I know you by sight
You return at some hour of the night to a house at an angle to my window
A wholly imaginary house
It is there that from one second to the next
In the inviolate darkness
I anticipate once more the fascinating rift occurring
The one and only rift
In the facade and in my heart
The closer I come to you
In reality
The more the key sings at the door of the unknown room
Where you appear alone before me
At first you coalesce entirely with the brightness