sky

I love my hour of wind and light,
I love men's faces and their eyes,
I love my spirit's veering flight
Like swallows under evening skies.

My Muse is simple,--yet it's nice
To think you don't need to think twice
On words I write.
I reckon I've a common touch
And if you say I cuss too much
I answer: 'Quite!'

I envy not the poet's lot;
He has something I haven't got,
Alas, I know.
But I have something maybe he
Would envy just a mite in me,--
I'm rather low.

For I am cast of common clay,
And from a ditch I fought my way,

388

Take your Heaven further on—
This—to Heaven divine Has gone—
Had You earlier blundered in
Possibly, e'en You had seen
An Eternity—put on—
Now—to ring a Door beyond
Is the utmost of Your Hand—
To the Skies—apologize—
Nearer to Your Courtesies
Than this Sufferer polite—
Dressed to meet You—
See—in White!

I have been all men known to history,
Wondering at the world and at time passing;
I have seen evil, and the light blessing
Innocent love under a spring sky.

I have been Merlin wandering in the woods
Of a far country, where the winds waken
Unnatural voices, my mind broken
By a sudden acquaintance with man's rage.

I have been Glyn Dwr set in the vast night,
Scanning the stars for the propitious omen,
A leader of men, yet cursed by the crazed women
Mourning their dead under the same stars.

But I love the I, steel I-beam
that my father sold. They poured the pig iron
into the mold, and it fed out slowly,
a bending jelly in the bath, and it hardened,
Bessemer, blister, crucible, alloy, and he
marketed it, and bought bourbon, and Cream
of Wheat, its curl of butter right
in the middle of its forehead, he paid for our dresses
with his metal sweat, sweet in the morning
and sour in the evening. I love the I,
frail between its flitches, its hard ground
and hard sky, it soars between them

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?

Prelude

Blue storm-clouds in hot heavens of mid-July
Hung heavy, brooding over land and sea:
Our hearts, a-tremble, throbbed in harmony
With the wild, restless tone of air and sky.
Shall we not call im Prospero who held
In his enchanted hands the fateful key
Of that tempestuous hour's mystery,
And with controlling wand our spirits spelled,
With him to wander by a sun-bright shore,
To hear fine, fairy voices, and to fly
With disembodied Ariel once more

What is better than leaving a bar
in the middle of the afternoon
besides staying in it or not
having gone into it in the first place
because you had a decent woman to be with?
The air smells particularly fresh
after the stale beer and piss smells.
You can stare up at the whole sky:
it's blue and white and does not
stare back at you like the bar mirror,
and there's Whats-'is-name coming out
right behind you saying, "I don't
believe it, I don't believe it: there
he is, staring up at the fucking sky

sway with me, everything sad -
madmen in stone houses
without doors,
lepers steaming love and song
frogs trying to figure
the sky;
sway with me, sad things -
fingers split on a forge
old age like breakfast shell
used books, used people
used flowers, used love
I need you
I need you
I need you:
it has run away
like a horse or a dog,
dead or lost
or unforgiving.

Bend low again, night of summer stars.
So near you are, sky of summer stars,
So near, a long-arm man can pick off stars,
Pick off what he wants in the sky bowl,
So near you are, summer stars,
So near, strumming, strumming,
So lazy and hum-strumming.