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In an Almshouse

Oh the dear summer evening! How the air
is mellow with the delicate breath of flowers
and wafts of hay scent from the sunburnt swathes:
how the glad song of life comes everywhence,
from thousand harmless voices, from blithe birds
that twitter on incessant sweet good-nights,
from homeward bees that, through the clover tufts,
stray booming, pilfering treasures to the last,
from sleepless crickets clamouring in the grass.
to tell the world they're happy day and night,
from the persistent rooks in their high town,

In Ampezzo

Only once more and not again--the larches
Shake to the wind their echo, "Not again,"--
We see, below the sky that over-arches
Heavy and blue, the plain

Between Tofana lying and Cristallo
In meadowy earths above the ringing stream:
Whence interchangeably desire may follow,
Hesitant as in dream,

At sunset, south, by lilac promontories
Under green skies ato Italy, or forth
By calms of morning beyond Lavinores
Tyrolward and to north:

As now, this last of latter days, when over

In After Days

Rondeau

IN after days when grasses high
O'er-top the stone where I shall lie,
   Though ill or well the world adjust
   My slender claim to honour'd dust,
I shall not question nor reply.

I shall not see the morning sky;
I shall not hear the night-wind sigh;
   I shall be mute, as all men must
   In after days!

But yet, now living, fain would I
That some one then should testify,
   Saying--'He held his pen in trust

In A Vacant House

Someone was calling someone;
now they've stopped. Beyond the glass
the rose vines quiver as in
a light wind, but there is none:
I hear nothing. The moments pass,
or seem to pass, and the sun,
risen above the old birch,
steadies for the downward arch.

It is noon. Privacy is
one thing, but to be alone,
to speak and not to be heard,
to speak again the same word
or another until one
can no longer distinguish
the presence of silence or
what the silence is there for...

No one can begin anew

In a Southern Garden

WHEN the tall bamboos are clicking to the restless little breeze,
And bats begin their jerky skimming flight,
And the creamy scented blossoms of the dark pittosporum trees,
Grow sweeter with the coming of the night.

And the harbour in the distance lies beneath a purple pall,
And nearer, at the garden’s lowest fringe,
Loud the water soughs and gurgles ’mid the rocks below the wall,
Dark-heaving, with a dim uncanny tinge

Of a green as pale as beryls, like the strange faint-coloured flame

In a Lonesome Burial-Place

In a lonesome burial-place
Crouched a mourner white of face;
Wild her eyes--unheeding
Circling pomp of night and day--
Ever crying, "Well away,
Love lies a-bleeding!"

And her sighs were like a knell,
And her tears for ever fell,
With their warm rain feeding
That purpureal flower, alas!
Trailing prostrate in the grass,
Love lies a-bleeding.

Through the yews' black-tufted gloom
Crimson light fell on the tomb,
Funeral shadows breeding:
In the sky the sun's light shed
Dyed the earth one awful red--

In a London Square

Put forth thy leaf, thou lofty plane,
East wind and frost are safely gone;
With zephyr mild and balmy rain
The summer comes serenly on;
Earth, air, and sun and skies combine
To promise all that's kind and fair: -
But thou, O human heart of mine,
Be still, contain thyself, and bear.

December days were brief and chill,
The winds of March were wild and drear,
And, nearing and receding still,
Spring never would, we thought, be here.
The leaves that burst, the suns that shine,
Had, not the less, their certain date: -

In a London Drawingroom

The sky is cloudy, yellowed by the smoke.
For view there are the houses opposite
Cutting the sky with one long line of wall
Like solid fog: far as the eye can stretch
Monotony of surface & of form
Without a break to hang a guess upon.
No bird can make a shadow as it flies,
For all is shadow, as in ways o'erhung
By thickest canvass, where the golden rays
Are clothed in hemp. No figure lingering
Pauses to feed the hunger of the eye
Or rest a little on the lap of life.

In a London Drawingroom

The sky is cloudy, yellowed by the smoke.
For view there are the houses opposite
Cutting the sky with one long line of wall
Like solid fog: far as the eye can stretch
Monotony of surface & of form
Without a break to hang a guess upon.
No bird can make a shadow as it flies,
For all is shadow, as in ways o'erhung
By thickest canvass, where the golden rays
Are clothed in hemp. No figure lingering
Pauses to feed the hunger of the eye
Or rest a little on the lap of life.
All hurry on & look upon the ground,

In A Light Time

The alder shudders in the April winds
off the moon. No one is awake and yet
sunlight streams across
the hundred still beds
of the public wards
for children. At ten
do we truly sleep
in a blessed sleep
guarded by angels
and social workers?
Do we dream of gold
found in secret trunks
in familiar rooms?
Do we talk to cats
and dogs? I think not.
I think when I was
ten I was almost
an adult, slightly
less sentimental
than now and better
with figures. No one
could force me to cry,