Skip to main content

Hymn - A Sacred Concert

I

Faint falls the gentle voice of prayer
In the wild sounds that fill the air,
Yet, Lord, we know that voice is heard,
Not less than if Thy throne it stirred.

II

Thine ear, thou tender One, is caught,
If we but bend the knee in thought;
No choral song that shakes the sky
Floats farther than the Christian's sigh.

III

Not all the darkness of the land
Can hide the lifted eye and hand;
Nor need the clanging conflict cease,
To make Thee hear our cries for peace.

Hush'd Be The Camps To-day


HUSH'D be the camps to-day;
And, soldiers, let us drape our war-worn weapons;
And each with musing soul retire, to celebrate,
Our dear commander's death.

No more for him life's stormy conflicts;
Nor victory, nor defeat--no more time's dark events,
Charging like ceaseless clouds across the sky.


But sing, poet, in our name;
Sing of the love we bore him--because you, dweller in camps, know it
truly.

As they invault the coffin there; 10

Hush'd Be the Camps Today

Hush'd be the camps today,
And soldiers let us drape our war-worn weapons,
And each with musing soul retire to celebrate,
Our dear commander's death.

No more for him life's stormy conflicts,
Nor victory, nor defeat--no more time's dark events,
Charging like ceaseless clouds across the sky.

But sing poet in our name,
Sing of the love we bore him--because you, dweller in camps, know it truly.

As they invault the coffin there,
Sing--as they close the doors of earth upon him--one verse,

Hurt Hawks

I

The broken pillar of the wing jags from the clotted shoulder,
The wing trails like a banner in defeat,

No more to use the sky forever but live with famine
And pain a few days: cat nor coyote
Will shorten the week of waiting for death, there is game without talons.

He stands under the oak-bush and waits
The lame feet of salvation; at night he remembers freedom
And flies in a dream, the dawns ruin it.

He is strong and pain is worse to the strong, incapacity is worse.
The curs of the day come and torment him

Hunter

Oh, but a thought ago a baying hound
had led him to a clearing in the sky.
The stars tolled beyond the sombre clouds
and on the frozen pond the forest sighed.

He knelt, his arrows whetted by a tear,
the fire he’d set, rising into night.
Eternity approached, and in its sphere,
a sudden passing bird eclipsed the light.

He aimed and freed an arrow into dark.
Then maelstroms, downy plumes, snow tainted red,
the pity of the moon: he hit his mark.

The hellward bird now tumbling overhead—

Hunger Camp At Jaslo

Write it. Write. In ordinary ink
on ordinary paper: they were given no food,
they all died of hunger. "All. How many?
It's a big meadow. How much grass
for each one?" Write: I don't know.
History counts its skeletons in round numbers.
A thousand and one remains a thousand,
as though the one had never existed:
an imaginary embryo, an empty cradle,
an ABC never read,
air that laughs, cries, grows,
emptiness running down steps toward the garden,
nobody's place in the line.

We stand in the meadow where it became flesh,

Human Lifes Mystery

I

We sow the glebe, we reap the corn,
We build the house where we may rest,
And then, at moments, suddenly,
We look up to the great wide sky,
Inquiring wherefore we were born…
For earnest or for jest?

II

The senses folding thick and dark
About the stifled soul within,
We guess diviner things beyond,
And yearn to them with yearning fond;
We strike out blindly to a mark
Believed in, but not seen.

III

Hugo's pool in the forest

How calm, how beauteous and how cool--
How like a sister to the skies,
Appears the broad, transparent pool
That in this quiet forest lies.
The sunshine ripples on its face,
And from the world around, above,
It hath caught down the nameless grace
Of such reflections as we love.

But deep below its surface crawl
The reptile horrors of the night--
The dragons, lizards, serpents--all
The hideous brood that hate the light;
Through poison fern and slimy weed
And under ragged, jagged stones
They scuttle, or, in ghoulish greed,

Hugh Selwyn Mauberly Part I

"Vocat aestus in umbram"
Nemesianus Es. IV.

E. P. Ode pour l'élection de son sépulchre

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --

No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:

"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way

Far Within Us 1

We raise our arms
The street climbs into the sky
We lower our eyes
The roofs go down into the earth

From every pain
We do not mention
Grows a chestnut tree
That stays mysterious behind us

From every hope
We cherish
Sprouts a star
That moves unreachable before us

Can you hear a bullet
Flying about our heads
Can you hear a bullet
Waiting to ambush our kiss


Trans. by Anne Pennington


Anonymous submission.