God of the Open Air

I

Thou who hast made thy dwelling fair
With flowers beneath, above with starry lights,
And set thine altars everywhere,--
On mountain heights,
In woodlands dim with many a dream,
In valleys bright with springs,
And on the curving capes of every stream:
Thou who hast taken to thyself the wings
Of morning, to abide
Upon the secret places of the sea,
And on far islands, where the tide
Visits the beauty of untrodden shores,
Waiting for worshippers to come to thee
In thy great out-of-doors!


God of Love

God of love, whose truth and grace
Reach unbounded as the skies,
Hear thy creature's feeble praise,
Let my ev'ning sacrifice
Mount as incense to thy throne,
On the merits of thy Son.

Me thy providence has led
Through another busy day:
Over me thy wings were spread,
Chasing sin and death away:
Thou hast been my faithful shield,
Thou my footsteps hast upheld.

Tho' the sable veil of night
Hides the cheering face of heav'n,
Let me triumph in the sight
Of my guilt in thee forgiv'n.


God Fashioned the Ship of the World

God fashioned the ship of the world carefully.
With the infinite skill of an All-Master
Made He the hull and the sails,
Held He the rudder
Ready for adjustment.
Erect stood He, scanning His work proudly.
Then -- at fateful time -- a wrong called,
And God turned, heeding.
Lo, the ship, at this opportunity, slipped slyly,
Making cunning noiseless travel down the ways.
So that, forever rudderless, it went upon the seas
Going ridiculous voyages,
Making quaint progress,


Generations

You are like the stem
Of a young beech-tree,
Straight and swaying,
Breaking out in golden leaves.
Your walk is like the blowing of a beech-tree
On a hill.
Your voice is like leaves
Softly struck upon by a South wind.
Your shadow is no shadow, but a scattered sunshine;
And at night you pull the sky down to you
And hood yourself in stars.

But I am like a great oak under a cloudy sky,
Watching a stripling beech grow up at my feet.


Gipsy Vans

Unless you come of the gipsy stock
That steals by night and day,
Lock your heart with a double lock
And throw the key away.
Bury it under the blackest stone
Beneath your father's hearth,
And keep your eyes on your lawful own
And your feet to the proper path.
Then you can stand at your door and mock
When the gipsy vans come through...
For it isn't right that the Gorgio stock
Should live as the Romany do.

Unless you come of the gipsy blood


Give All To Love

Give all to love;
Obey thy heart;
Friends, kindred, days,
Estate, good-fame,
Plans, credit, and the Muse,-
Nothing refuse.
'Tis a brave master;
Let it have scope:
Follow it utterly,
Hope beyond hope:
High and more high
It dives into noon,
With wing unspent,
Untold intent;
But it is a god,
Knows its own path,
And the outlets of the sky.
It was not for the mean;
It requireth courage stout,
Souls above doubt,
Valor unbending;
It will reward,-


Gioconda And Si-Ya-U

to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai

A CLAIM

Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.

The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off


Giant Fungus

40-acre growth found in Michigan.
— The Los Angeles Times


The sky is full of ruddy ducks
and widgeon's, mockingbirds,
bees, bats, swallowtails,
dragonflies, and great horned owls.

The land below teems with elands
and kit foxes, badgers, aardvarks,
juniper, banana slugs, larch,
cactus, heather, humankind.

Under them, a dome of dirt.
Under that, the World's
Largest Living Thing spreads
like a hemorrhage poised

to paralyze the earth—like a tumor


Ghoti

The gh comes from rough, the o from women's,
and the ti from unmentionables--presto:
there's the perfect English instance of
unlovablility--complete

with fish. Our wish was for a better
revelation: for a correspondence--
if not lexical, at least
phonetic; if not with Madonna

then at least with Mary Magdalene.
Instead we get the sheer
opacity of things: an accident
of incident, a tracery of history: the dung

inside the dungarees, the jock strap for a codpiece, and


Georgia Dusk

The sky, lazily disdaining to pursue
The setting sun, too indolent to hold
A lengthened tournament for flashing gold,
Passively darkens for night's barbeque,

A feast of moon and men and barking hounds.
An orgy for some genius of the South
With blood-hot eyes and cane-lipped scented mouth,
Surprised in making folk-songs from soul sounds.

The sawmill blows its whistle, buzz-saws stop,
And silence breaks the bud of knoll and hill,
Soft settling pollen where plowed lands fulfill


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