sky

Said Seeker of the skies to me:
"Behold yon starry host ashine!
When Heaven's harmony you see
How can you doubt control divine,
Law, order and design?"
II
"Nay, Sire," said I, "I do not doubt
The spheres in cosmic pattern spin;
But what I try to puzzle out
Is that--if Law and Order win
Where does mere man come in?
III
"If to the millionth of a hair
Cause and Effect are welded true,
Then there's no leeway anywhere,
And all we do we have to do,

I

By the Feal's wave benighted,
No star in the skies,
To thy door by Love lighted,
I first saw those eyes.
Some voice whisper'd o'er me,
As the threshold I cross'd,
There was ruin before me,
If I loved, I was lost.

II

Love came, and brought sorrow
Too soon in his train;
Yet so sweet, that to-morrow
'Twere welcome again.
Though misery's full measure
My portion should be,
I would drain it with pleasure,
If pour'd out by thee.

III

The difference between you and her
(whom I to you did once prefer)
Is clear enough to settle:
She like a diamond shone, but you
Shine like an early drop of dew
Poised on a red rose petal.

The dew-drop carries in its eye
Mountain and forest, sea and sky,
With every change of weather;
Contrariwise, a diamond splits
The prospect into idle bits
That none can piece together.

The winds came out of the west one day,
And hurried the clouds before them;
And drove the shadows and mists away,
And over the mountains bore them.
And I wept, 'Oh, wind, blow into my mind,
Blow into my soul and heart,
And scatter the clouds that hang lile shrouds,
And make the shadows depart.'

The rain came out of th eleaden skies
And beat on the earth's cold bosom.
It said to the sleeping grass, 'Arise, '
And the young buds sprang in blossom.
And I wept in pain, 'Oh, blessed rain,

In the midnight of darkness and terror,
When I would grope nearer to God,
With my back to a record of error
And the highway of sin I have trod,
There comes to me shapes I would banish –
The shapes of the deeds I have done;
And I pray and I plead till they vanish –
All vanish and leave me, save one.

That one, with a smile like the splendour
Of the sun in the middle-day skies –
That one, with a spell that is tender –
That one with a dream in her eyes –
Cometh close, in her rare southern beauty,

257

Delight is as the flight—
Or in the Ratio of it,
As the Schools would say—
The Rainbow's way—
A Skein
Flung colored, after Rain,
Would suit as bright,
Except that flight
Were Aliment—

"If it would last"
I asked the East,
When that Bent Stripe
Struck up my childish
Firmament—
And I, for glee,
Took Rainbows, as the common way,
And empty Skies
The Eccentricity—

And so with Lives—
And so with Butterflies—
Seen magic—through the fright

No, mother, I am not sad:
Why think me sad? I was always still,
You remember, even when my heart was most glad
And you used to let me dream at my will;
And now I like better to watch the sea
And the calm sad sky than to laugh with the rest.
You know they are full of chatter and glee,
And I like the quietness best.

Nay, mother, you look so grave.
I know what you're thinking and will not say;
But you need not fear; I am growing brave
Now that the pain is passing away,

Thousands of tiny
fists tamping the surface of the lake
flowing like a wide
river gone crazy, southeast, westnorth
letting the wind push
it around in its bed and the boat
hull hugging the shore.
What else can she do? Even the trees
agree, shaking
their crowns, throwing down their leaves as if
she were their only
child. Caught cold-footed in Magnuson
grass, trying to cut
free of the creosote-soaked pilings sunk
deep in the shallow
mud holding the water, holding her

Oh, why are you shining so bright, big Sun,
And why is the garden so gay?
Do you know that my days of delight are done,
Do you know I am going away?
If you covered your face with a cloud, I 'd dream
You were sorry for me in my pain,
And the heads of the flowers all bowed would seem
To be weeping with me in the rain.

But why is your head so low, sweet heart,
And why are your eyes overcast?
Are they clouded because you know we must part,
Do you think this embrace is our last?

The intact facade's now almost black
in the rain; all day they've torn at the back
of the building, "the oldest concrete structure
in New England," the newspaper said. By afternoon,
when the backhoe claw appears above
three stories of columns and cornices,

the crowd beneath their massed umbrellas cheer.
Suddenly the stairs seem to climb down themselves,
atomized plaster billowing: dust of 1907's
rooming house, this year's bake shop and florist's,
the ghosts of their signs faint above the windows