sky

TARRY a while, O Death, I cannot die
While yet my sweet life burgeons with its spring;
Fair is my youth, and rich the echoing boughs
Where dhadikulas sing.


Tarry a while, O Death, I cannot die
With all my blossoming hopes unharvested,
My joys ungarnered, all my songs unsung,
And all my tears unshed.


Tarry a while, till I am satisfied
Of love and grief, of earth and altering sky;
Till all my human hungers are fulfilled,
O Death, I cannot die!

Sunset and silence! A man: around him earth savage, earth broken;
Beside him two horses -- a plough!
Earth savage, earth broken, the brutes, the dawn man there in the sunset,
And the Plough that is twin to the Sword, that is founder of cities!
"Brute-tamer, plough-maker, earth-breaker! Can'st hear? There are ages
between us.
Is it praying you are as you stand there alone in the sunset?
"Surely our sky-born gods can be naught to you, earth child and earth
master?
Surely your thoughts are of Pan, or of Wotan, or Dana?

ABOVE yon sombre swell of land
   Thou see'st the dawn's grave orange hue,
With one pale streak like yellow sand,
   And over that a vein of blue.

The air is cold above the woods;
   All silent is the earth and sky,
Except with his own lonely moods
   The blackbird holds a colloquy.

Over the broad hill creeps a beam,
   Like hope that gilds a good man's brow;
And now ascends the nostril-stream
   Of stalwart horses come to plough.

Ye rigid Ploughmen, bear in mind

Night closed my windows and
The sky became a crystal house
The crystal windows glowed
The moon
shown through them
through the whole house of crystal
A single star beamed down
its crystal cable
and drew a plough through the earth
unearthing bodies clasped together
couples embracing
around the earth
They clung together everywhere
emitting small cries
that did not reach the stars
The crystal earth turned
and the bodies with it
And the sky did not turn
nor the stars with it

PART I (excerpt)
...
Where barbarous hordes on Scythian mountains roam,
Truth, Mercy, Freedom, yet shall find a home;
Where'er degraded Nature bleeds and pines,
From Guinea's coast to Sibir's dreary mines,
Truth shall pervade the unfathomed darkness there,
And light the dreadful features of despair.
Hark! the stern captive spurns his heavy load,
And asks the image back that Heaven bestowed.
Fierce in his eye the fire of valour burns,
And, as the slave departs, the man returns.

I was alone with a chair on a plain
Which lost itself in an empty horizon.

The plain was flawlessly paved.
Nothing, absolutely nothing but the chair and I
were there.

The sky was forever blue,
No sun gave life to it.

An inscrutable, insensible light
illuminated the infinite plain.

To me this eternal day seemed to be projected --
artificially-- from a different sphere.

I was never sleepy nor hungry nor thirsty,
never hot nor cold.

The elm lets fall its leaves before the frost,
The very oak grows shivering and sere,
The trees are barren when the summer's lost:
But one tree keeps its goodness all the year.

Green pine, unchanging as the days go by,
Thou art thyself beneath whatever sky:
My shelter from all winds, my own strong pine,
'Tis spring, 'tis summer, still, while thou art mine.

If hush'd the loud whirlwind that ruffled the deep,
The sky, if no longer dark tempests deform;
When our perils are past, shall our gratitude sleep?
No!--Here's to the Pilot who weather'd the storm!


At the foot-stool of Power let flattery fawn,
Let Faction her idols extol to the skies;
To virtue in humble resentment withdrawn,
Unblam'd may the merits of gratitude rise.


And shall not His memory to Britain be dear,
Whose example with envy all nations behold;

'Tis noon of night; the sable clouds,
Hang weeping in the sky;
Alone I sit, where fancies flit
Like spectral shadows by.
Me thinks I see familiar forms,
And on before them all--
So fair, so calm, so wondrous like, wondrous like
The picture on the wall.

Among the brave and loyal,
How many lov'd ones fall!
Whose friends bereft,
Have only left, only left
A picture on the wall.

I hear the press of eager feet,
Upon my parlor floor;
A moment, and my willing arms

is it the cut glass
of their eyes
looking up toward
the new gnarled branch
of the black man
hanging from a tree?

is it the white milk pleated
collar of the woman
smiling toward the camera,
her fingers loose around
a christian cross drooping
against her breast?

is it all of us
captured by history into an
accurate album? will we be
required to view it together
under a gathering sky?