sleep

Where dost thou careless lie,
Buried in ease and sloth?
Knowledge that sleeps doth die;
And this security,
It is the common moth
That eats on wits and arts, and oft destroys them both.

Are all th' Aonian springs
Dried up? lies Thespia waste?
Doth Clarius' harp want strings,
That not a nymph now sings?
Or droop they as disgrac'd,
To see their seats and bowers by chatt'ring pies defac'd?

If hence thy silence be,
As 'tis too just a cause,

On Western plains, where shade is not,
'Neath summer skies of cloudless blue,
Where all is dry and all is hot,
There stands the town of Dandaloo --
A township where life's total sum
Is sleep, diversified with rum.
Its grass-grown streets with dust are deep;
'Twere vain endeavour to express
The dreamless silence of its sleep,
Its wide, expansive drunkenness.
The yearly races mostly drew
A lively crowd at Dandaloo.

There came a sportsman from the East,
The eastern land where sportsmen blow,

TO break the stillness of the hour
There is no sound, no voice, no stir;
Only the croak of frogs,—the whirr
Of crickets hidden in leaf and flower.

The clear-cut outlines of a spire
Spring from a mass of eucalypt
Sharply against the sky,—still tipped
With one last gleam of lingering fire.

So solemnly the shadows creep;
On dovelike wings Night flutters down;
Lights twinkle in the little town;
The valley lies in quiet sleep.

TO these whom death again did wed
This grave 's the second marriage-bed.
For though the hand of Fate could force
'Twixt soul and body a divorce,
It could not sever man and wife,
Because they both lived but one life.
Peace, good reader, do not weep;
Peace, the lovers are asleep.
They, sweet turtles, folded lie
In the last knot that love could tie.
Let them sleep, let them sleep on,
Till the stormy night be gone,
And the eternal morrow dawn;
Then the curtains will be drawn,

TO these whom death again did wed
This grave 's the second marriage-bed.
For though the hand of Fate could force
'Twixt soul and body a divorce,
It could not sever man and wife,
Because they both lived but one life.
Peace, good reader, do not weep;
Peace, the lovers are asleep.
They, sweet turtles, folded lie
In the last knot that love could tie.
Let them sleep, let them sleep on,
Till the stormy night be gone,
And the eternal morrow dawn;
Then the curtains will be drawn,
And they wake into a light

He who would start and rise
Before the crowing cocks, --
No more he lifts his eyes,
Whoever knocks.
He who before the stars
Would call the cattle home, --
They wait about the bars
For him to come.
Him at whose hearty calls
The farmstead woke again
The horses in their stalls
Expect in vain.

Busy and blithe and bold
He laboured for the morrow, --
The plough his hands would hold
Rusts in the furrow.

His fields he had to leave,

Interr'd beneath this marble stone,
Lie saunt'ring Jack and idle Joan.
While rolling threescore years and one
Did round this globe their courses run;
If human things went ill or well;
If changing empires rose or fell;
The morning passed, the evening came,
And found this couple still the same.
They walk'd and eat, good folks: what then?
Why then they walk'd and eat again:
They soundly slept the night away:
They did just nothing all the day:
And having buried children four,

Early March.
The cold beach deserted. My kids
home in a bare house, bundled up
and listening to rock music
pirated from England. My wife
waiting for me in a bar, alone
for an hour over her sherry, and none
of us knows why I have to pace
back and forth on this flat
and birdless stretch of gleaming sand
while the violent air shouts
out its rags of speech. I recall
the calm warm sea of Florida
30 years ago, and my brother
and I staring out in the hope
that someone known and loved

Rose Red's hair is brown as fur
and shines in firelight as she prepares
supper of honey and apples, curds and whey,
for the bear, and leaves it ready
on the hearth-stone.

Rose White's grey eyes
look into the dark forest.

Rose Red's cheeks are burning,
sign of her ardent, joyful
compassionate heart.
Rose White is pale,
turning away when she hears
the bear's paw on the latch.

When he enters, there is
frost on his fur,
he draws near to the fire
giving off sparks.

In vain, poor Nymph, to please our youthful sight
You sleep in cream and frontlets all the night,
Your face with patches soil, with paint repair,
Dress with gay gowns, and shade with foreign hair.
If truth in spight of manners must be told,
Why, really fifty-five is something old.

Once you were young; or one, whose life's so long
She might have born my mother, tells me wrong.
And once (since Envy's dead before you die,)
The women own, you play'd a sparkling eye,
Taught the light foot a modish little trip,