On the summer road that ran by our front porch
Lizards and snakes came out to sun.
It was hot as a stove out there, enough to scorch
A buzzard's foot. Still, it was fun
To lie in the dust and spy on them. Near but remote,
They snoozed in the carriage ruts, a smile
In the set of the jaw, a fierce pulse in the throat
Working away like Jack Doyle's after he'd run the mile.

Aunt Martha had an unfair prejudice
Against them (as well as being cold
Toward bats.) She was pretty inflexible in this,

I

Let others sing of Empire and of pomp beyond the sea,
A song of Little Puddleton is good enough for me,
A song of kindly living, and of coming home to tea.

I seldom read the papers, so I don't know what goes on.
I go to bed at sunset, and I leap alert at dawn,
To gossip with my garden, which I'll have you understand,
Is the neatest and the sweetest little garden in the land;
A span of sunny quietude, with walls so high and stout,
They shut me in from all the world, and shut the whole world out,

In a humble room in London sat a pretty little boy,
By the bedside of his sick mother her only joy,
Who was called Little Pierre, and who's father was dead;
There he sat poor boy, hungry and crying for bread.

There he sat humming a little song, which was his own,
But to the world it was entirely unknown,
And as he sang the song he felt heartsick,
But he resolved to get Madame Malibran to sing his song in public

Then he paused for a moment and clasped his hands,
And running to the looking-glass before it he stands,

What is it that makes little Emily cry?
Come then, let mamma wipe the tear from her eye:
There­ -- lay down your head on my bosom­ -- that's right,
And now tell mamma what's the matter to-night.

What! Emmy is sleepy, and tired with play?
Come, Betty, make haste then, and fetch her away;
But do not be fretful, my darling; you know
Mamma cannot love little girls that are so.

She shall soon go to bed and forget it all there­
Ah! here's her sweet smile come again, I declare:
That's right, for I thought you quite naughty before.

I've always wanted to play the part
of that puckish pubescent Filipino boy

in those John Wayne Pacific-War movies.
Pepe, Jose, or Juanito would be smiling,

bare-chested and eager to please
for most of the steamy jungle scenes.

I'd be the one who would cross
the Japanese lines and ask for tanks,

air support, or more men. I'd miraculously
make it back to the town where John Wayne

is holding his position against the enemy
with his Thompson machine-gun. As a reward,

he'd rub that big white hand on my head

The little toy dog is covered with dust,
But sturdy and stanch he stands;
And the little toy soldier is red with rust,
And his musket molds in his hands.
Time was when the little toy dog was new
And the soldier was passing fair,
And that was the time when our Little Boy Blue
Kissed them and put them there.

"Now, don't you go till I come," he said,
"And don't you make any noise!"
So toddling off to his trundle-bed
He dreamed of the pretty toys.
And as he was dreaming, an angel song
Awakened our Little Boy Blue,--

'T is you that are the music, not your song.
The song is but a door which, opening wide,
Lets forth the pent-up melody inside,
Your spirit's harmony, which clear and strong
Sings but of you. Throughout your whole life long
Your songs, your thoughts, your doings, each divide
This perfect beauty; waves within a tide,
Or single notes amid a glorious throng.
The song of earth has many different chords;
Ocean has many moods and many tones
Yet always ocean. In the damp Spring woods
The painted trillium smiles, while crisp pine cones

How well my heart remembers
Beside these camp-fire embers
The eyes that smiled so far away,
The joy that was November's.

Her voice to laughter moving,
So merrily reproving,
We wandered through the autumn woods
And neither thought of loving.

The hills with light were glowing,
The waves in joy were flowing,
It was not to the clouded sun
The day's delight was owing.

Though through the brown leaves straying,
Our lives seemed gone a-Maying;
We knew not Love was with us there,

IN Celia's face a question did arise,
Which were more beautiful, her lips or eyes ?
“ We,” said the eyes, “send forth those pointed darts
Which pierce the hardest adamantine hearts.”
“ From us,” repli'd the lips, “proceed those blisses
Which lovers reap by kind words and sweet kisses.”
Then wept the eyes, and from their springs did pour
Of liquid oriental pearl a shower ;
Whereat the lips, moved with delight and pleasure,
Through a sweet smile unlock'd their pearly treasure
And bad Love judge, whether did add more grace

That which we are and shall be is made up
Of what we have been. On the autumn leaf
The crimson stains bear witness of its spring;
And, on its perfect nodes, the ocean shell
Notches the slow, strange changes of its growth.
Ourselves are our own records; if we looked
Rightly into that blotted crimson page
Within our bosoms, then there were no need
To chronicle our stories; for the heart
Hath, like the earth, its strata, and contains
Its past within its present. Well for us,
And our most cherished secrets, that within