smile

The child alone a poet is:
Spring and Fairyland are his.
Truth and Reason show but dim,
And all’s poetry with him.
Rhyme and music flow in plenty
For the lad of one-and-twenty,
But Spring for him is no more now
Than daisies to a munching cow;
Just a cheery pleasant season,
Daisy buds to live at ease on.
He’s forgotten how he smiled
And shrieked at snowdrops when a child,
Or wept one evening secretly
For April’s glorious misery.
Wisdom made him old and wary
Banishing the Lords of Faery.

Every morning, as I walk down
From my dreary lodgings, toward the town,
I see at a window, near the street,
The face of a woman, fair and sweet,
With soft brown eyes and chestnut hair,
And red lips, warm with the kisses left there.
And she stands there as long as she can see
The man who walks just ahead of me.

At night, when I come from my office down town,
There stands a woman with eyes of brown,
Smiling out through the window blind
At the man who is walking just behind.

I

Last year I called this world of gain-givings
The darkest thinkable, and questioned sadly
If my own land could heave its pulse less gladly,
So charged it seemed with circumstance whence springs
The tragedy of things.

II

Yet at that censured time no heart was rent
Or feature blanched of parent, wife, or daughter
By hourly blazoned sheets of listed slaughter;
Death waited Nature's wont; Peace smiled unshent
From Ind to Occident.

I

Last year I called this world of gain-givings
The darkest thinkable, and questioned sadly
If my own land could heave its pulse less gladly,
So charged it seemed with circumstance whence springs
   The tragedy of things.

II

Yet at that censured time no heart was rent
Or feature blanched of parent, wife, or daughter
By hourly blazoned sheets of listed slaughter;
Death waited Nature's wont; Peace smiled unshent
   From Ind to Occident.

'There is not much that I can do,
For I've no money that's quite my own!'
Spoke up the pitying child--
A little boy with a violin
At the station before the train came in,--
'But I can play my fiddle to you,
And a nice one 'tis, and good in tone!'

The man in the handcuffs smiled;
The constable looked, and he smiled too,
As the fiddle began to twang;
And the man in the handcuffs suddenly sang
With grimful glee:
'This life so free
Is the thing for me!'

There is a wistful charm, a tenderness,
Mysterious and soft, in autumn's even:
The trees in weird and brilliant garments dress,
The gory leaves to whispered talk are given;
Above the sad and orphaned earth the skies
Lie veiled and bleak, the sun's departure mourning,
And gusty winds with sudden anger rise,
Of pending storms the grim and chilly warning...
Fatigue, decline, and - over all - the worn
And wasting spirit's smile, doomed soon to vanish,
That lights a sufferer's face and that is born

Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two. But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.—The mother understood,
And wisely stepped away. Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;

The Master played the bishop’s pawn,
For jest, while Atherton looked on;
The master played this way and that,
And Atherton, amazed thereat,
Said “Now I have a thing in view
That will enlighten one or two,
And make a difference or so
In what it is they do not know.”

The morning stars together sang
And forth a mighty music rang—
Not heard by many, save as told
Again through magic manifold
By such a few as have to play
For others, in the Master’s way,
The music that the Master made

Through thick Arcadian woods a hunter went,
Following the beasts upon a fresh spring day;
But since his horn-tipped bow but seldom bent,
Now at the noontide nought had happed to slay,
Within a vale he called his hounds away,
Hearkening the echoes of his lone voice cling
About the cliffs and through the beech-trees ring.

But when they ended, still awhile he stood,
And but the sweet familiar thrush could hear,
And all the day-long noises of the wood,
And o'er the dry leaves of the vanished year

THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell—the music died—
The lights grew bright, revealing there