soldier

AS TOILSOME I wander'd Virginia's woods,
To the music of rustling leaves, kick'd by my feet, (for 'twas
autumn,)
I mark'd at the foot of a tree the grave of a soldier,
Mortally wounded he, and buried on the retreat, (easily all could I
understand;)
The halt of a mid-day hour, when up! no time to lose--yet this sign
left,
On a tablet scrawl'd and nail'd on the tree by the grave,
Bold, cautious, true, and my loving comrade.

What made the porter stare so hard? what made the porter stare
And eye the tall young woman and the bundle that she bare?

What made the tall young woman flush, and strive to hide her face,
As the train slid past the platform and the guard swung in his place?

What made her look so stealthily both up and down the line,
And quickly give the infant suck to still its puny whine?

Why was the sawmill not at work? why were the men away?
They might have turned a woman from a woeful deed that day.

AS I sat alone, by blue Ontario's shore,
As I mused of these mighty days, and of peace return'd, and the dead
that return no more,
A Phantom, gigantic, superb, with stern visage, accosted me;
Chant me the poem, it said, that comes from the soul of America--
chant me the carol of victory;
And strike up the marches of Libertad--marches more powerful yet;
And sing me before you go, the song of the throes of Democracy.

(Democracy--the destin'd conqueror--yet treacherous lip-smiles

AS I ponder'd in silence,
Returning upon my poems, considering, lingering long,
A Phantom arose before me, with distrustful aspect,
Terrible in beauty, age, and power,
The genius of poets of old lands,
As to me directing like flame its eyes,
With finger pointing to many immortal songs,
And menacing voice, What singest thou? it said;
Know'st thou not, there is but one theme for ever-enduring bards?
And that is the theme of War, the fortune of battles, 10

Smash down the cities.
Knock the walls to pieces.
Break the factories and cathedrals, warehouses
and homes
Into loose piles of stone and lumber and black
burnt wood:
You are the soldiers and we command you.
Build up the cities.
Set up the walls again.
Put together once more the factories and cathedrals,
warehouses and homes
Into buildings for life and labor:
You are workmen and citizens all: We
command you.

What did I do, sonny, in the Great World War?
Well, I learned to peel potatoes and to scrub the barrack floor.
I learned to push a barrow and I learned to swing a pick,
I learned to turn my toes out, and to make my eyeballs click.
I learned the road to Folkestone, and I watched the English shore,
Go down behind the skyline, as I thought, for evermore.
And the Blighty boats went by us and the harbour hove in sight,
And they landed us and sorted us and marched us "by the right".

My brother Andy said, that for a soldier he would go,
So great excitement came upon the house of McElroe.
My father sold a bog-hole to equip him for the war.
And my mother sold the cushions of her Sunday jaunting car.
And when brave Andy reach'd the front, 'twas furious
work he made,
They appointed him a private in the Crocodile Brigade.
The sound of Andy's battle cry struck terror thro' the foe.
His foot was on the desert and his name was McElroe.
At least that's what the letter said that came across the foam.

On the life of Andrew Jackson,
Now dear people I will write,
And in sketches, I will tell you
His career with great delight.
His career on earth is ended;
But his name is ever bright,
And his memory is cherished
As a great glorious knight.
II
The early life of Andrew Jackson,
Its marked in high renown,
As a lover of his country
He proved steadfastly profound,
Through kind teaching of his mother,
That patriot lady brave;
His mind strengthened by her wisdom,
Ere she sank into her grave.

After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted negro regiment, the Fifty-fourth Massachusetts.


I

Before the solemn bronze Saint Gaudens made
To thrill the heedless passer's heart with awe,
And set here in the city's talk and trade
To the good memory of Robert Shaw,
This bright March morn I stand,
And hear the distant spring come up the land;
Knowing that what I hear is not unheard

Among the red guns,
In the hearts of soldiers
Running free blood
In the long, long campaign:
Dreams go on.

Among the leather saddles,
In the heads of soldiers
Heavy in the wracks and kills
Of all straight fighting:
Dreams go on.

Among the hot muzzles,
In the hands of soldiers
Brought from flesh-folds of women--
Soft amid the blood and crying--
In all your hearts and heads
Among the guns and saddles and muzzles:

Dreams,
Dreams go on,