sometimes

You say, as one who shapes a life,
That you will never be a wife,

And, laughing lightly, ask my aid
To paint your future as a maid.

This is the portrait; and I take
The softest colors for your sake:

The springtime of your soul is dead,
And forty years have bent your head;

The lines are firmer round your mouth,
But still its smile is like the South.

Your eyes, grown deeper, are not sad,
Yet never more than gravely glad;

And the old charm still lurks within

Oh, not the loss of the accomplished thing!
Not dumb farewells, nor long relinquishment
Of beauty had, and golden summer spent,
And savage glory of the fluttering
Torn banners of the rain, and frosty ring
Of moon-white winters, and the imminent
Long-lunging seas, and glowing students bent
To race on some smooth beach the gull's wing:

Not these, nor all we've been, nor all we've loved,
The pitiful familiar names, had moved
Our hearts to weep for them; but oh, the star
The future is! Eternity's too wan

Dogs have a sense beyond our ken -
At least my little Trixie had:
Tail-wagging when I laughed, and when
I sighed, eyes luminously sad.
And if I planned to go away,
She'd know, oh, days and days before:
Aye, dogs I think are sometimes fey,
They seem to sense our fate in store.

Now take the case of old Tome Low;
With flowers each week he'd call on me.
Dear Trixie used to love him so,
With joyous jump upon his knee.
Yet when he wandered in one day,
Her hair grew sudden stark with dread;

It nests in the hollow of my pelvis, I carry it with both hands, as if
offering my stomach, as if it were pulling me forward.

At night the sun leaks from it, it turns cold, I sleep with it
beside my head, I breath for it.

Sometimes I dream of hammers.

I am hammering it back into sand, the sand we melt into glass,
the glass we blow into bottles.

This stone is fifteen green bottles with nothing inside.

It never bleeds, it never heals, it is a soup can left on the back shelf,

There were twa sisters sat in a bow'r;
(Binnorie, O Binnorie!)
A knight cam' there, a noble wooer,
By the bonny mill-dams o' Binnorie.
He courted the eldest wi' glove and ring,
(Binnorie, O Binnorie!)
But he lo'ed the youngest aboon a' thing,
By the bonny mill-dams o' Binnorie.
The eldest she was vexed sair,
(Binnorie, O Binnorie!)
And sair envìed her sister fair,
By the bonny mill-dams o' Binnorie.

Upon a morning fair and clear,
(Binnorie, O Binnorie !)

My walls outside must have some flowers,
My walls within must have some books;
A house that's small; a garden large,
And in it leafy nooks.

A little gold that's sure each week;
That comes not from my living kind,
But from a dead man in his grave,
Who cannot change his mind.

A lovely wife, and gentle too;
Contented that no eyes but mine
Can see her many charms, nor voice
To call her beauty fine.

Where she would in that stone cage live,
A self-made prisoner, with me;

they found him walking along the freeway
all red in
front
he had taken a rusty tin can
and cut off his sexual
machinery
as if to say --
see what you've done to
me? you might as well have the
rest.

and he put part of him
in one pocket and
part of him in
another
and that's how they found him,
walking
along.

they gave him over to the
doctors
who tried to sew the parts
back
on
but the parts were
quite contented
the way they
were.

Tonight I can write the saddest lines.

Write, for example,'The night is shattered
and the blue stars shiver in the distance.'

The night wind revolves in the sky and sings.

Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.

Through nights like this one I held her in my arms
I kissed her again and again under the endless sky.

She loved me sometimes, and I loved her too.
How could one not have loved her great still eyes.

Tonight I can write the saddest lines.

Tonight I can write the saddest lines.

Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.'

The night wind revolves in the sky and sings.

Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.

Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.

She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.

William, it was, I think, three years ago--
As I recall, one cool October morning--
(You have The Tribune files; I think they'll show
I gave you warning).

I said, in well-selected words and terse,
In phrases balanced, yet replete with power,
That I should cease to pen the prose and verse
Known as The Tower
That I should stop this Labyrinth of Light--
Though stopping make the planet leaden-hearted--
Unless you stop the well-known Schrecklichkeit
Your nation started.