son

The voice that breathed o'er Eden,
That earliest wedding day
The primal marriage blessing,
It hath not passed away.
Still in the pure espousal
Of Christian man and maid,
The holy Three are with us,
The threefold grace is said.

Be present, aweful Father,
To give away this bride,
As Eve thou gav'st to Adam
Out of his own pierced side:

Be present, Son of Mary,
To join their loving hands,
As thou didst bind two natures
In thine eternal bands!

O God of Mercy, God of Might,
How should pale sinners bear the sight,
If, as Thy power in surely here,
Thine open glory should appear?

For now Thy people are allowed
To scale the mount and pierce the cloud,
And Faith may feed her eager view
With wonders Sinai never knew.

Fresh from th' atoning sacrifice
The world's Creator bleeding lies.
That man, His foe, by whom He bled,
May take Him for his daily bread.

O agony of wavering thought
When sinners first so near are brought!

From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"

I swayed upon the gaudy stem
The butt-end of a steering-oar,
And saw wherever I could turn
A crowd upon a shore.

And though I would have hushed the crowd,
There was no mother's son but said,
"What is the figure in a shroud
Upon a gaudy bed?'

And after running at the brim
Cried out upon that thing beneath
- It had such dignity of limb -
By the sweet name of Death.

Though I'd my finger on my lip,
What could I but take up the song?
And running crowd and gaudy ship

Downward through the evening twilight,
In the days that are forgotten,
In the unremembered ages,
From the full moon fell Nokomis,
Fell the beautiful Nokomis,
She a wife, but not a mother.
She was sporting with her women,
Swinging in a swing of grape-vines,
When her rival the rejected,
Full of jealousy and hatred,
Cut the leafy swing asunder,
Cut in twain the twisted grape-vines,
And Nokomis fell affrighted
Downward through the evening twilight,
On the Muskoday, the meadow,

Strange that the city thoroughfare,
Noisy and bustling all the day,
Should with the night renounce its care,
And lend itself to children's play!

Oh, girls are girls, and boys are boys,
And have been so since Abel's birth,
And shall be so till dolls and toys
Are with the children swept from earth.

The self-same sport that crowns the day
Of many a Syrian shepherd's son,
Beguiles the little lads at play
By night in stately Babylon.

I hear their voices in the street,

What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass

“...here thy generations endeth in accord.”

I physically resemble my mother
And father and therefore must have been
Adopted, because on my TV screen
The role-children rarely share a feature
With either parent. The fact they're actors
And I'm not is what makes me misbegot—
A matched world of monitors all 2-shot
The mirror daily where I pray these stars

Come: cancel everyone of us whose names
And clans have sundered human unity
Descend always among daughters or sons

More than a fleshly immortality
   Is mine. Though I myself return again
   To dust, my qualities of heart and brain,
Of soul and spirit, shall not cease to be.
I view them growing, day by day, in thee,
   My first-begotten son; I trace them plain
   In you, my daughters; and I count it gain
Myself renewed and multiplied to see.

But sadness mingles with my selfish joy,
   At thought of what you may be called to bear.
Oh, passionate maid! Oh, glad, impulsive boy!

I was the Sunday school superintendent,
The dummy president of the wagon works
And the canning factory,
Acting for Thomas Rhodes and the banking clique;
My son the cashier of the bank,
Wedded to Rhodes' daughter,
My week day spent in making money,
My Sundays at church and in prayer.
In everything a cog in the wheel of things-as-they-are:
Of money, master and man, made white
With the paint of the Christian creed.
And then:
The bank collapsed. I stood and looked at the wrecked machine --