The songs I made from joy of earth
In wanton wandering,
Are rapturous with Maytime mirth
And ectasy of Spring.
But all the songs I sing today
Take tediously the ear:
Novemberishly dark are they
With mortuary fear.
II
For half a century has gone
Since first I rang a rhyme;
And that is long to linger on
The tolerance of Time.
This blue-veined hand with which I write
Yet answers to my will;
Though four-score years I count to-night

When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder

And a poet said, "Speak to us of Beauty."

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide?

And how shall you speak of her except she be the weaver of your speech?

The aggrieved and the injured say, "Beauty is kind and gentle.

Like a young mother half-shy of her own glory she walks among us."

And the passionate say, "Nay, beauty is a thing of might and dread.

Like the tempest she shakes the earth beneath us and the sky above us."

Beauty imposes reverence in the Spring,
Grave as the urge within the honeybuds,
It wounds us as we sing.

Beauty is joy that stays not overlong.
Clad in the magic of sincerities,
It rides up in a song.

Beauty imposes chastenings on the heart,
Grave as the birds in last solemnities
Assembling to depart.

[Author's Note: The title means "little father" or "dear little father", a term of endearment applied to the Tsar in Russian folk-song. --T.B.A.]

From yonder gilded minaret
Beside the steel-blue Neva set,
I faintly catch, from time to time,
The sweet, aerial midnight chime--
"God save the Tsar!"

Above the ravelins and the moats
Of the white citadel it floats;
And men in dungeons far beneath
Listen, and pray, and gnash their teeth--
"God save the Tsar!"

The soft reiterations sweep
Across the horrer of their sleep,

DAY, like our souls, is fiercely dark;
   What then? 'Tis day!
We sleep no more; the cock crows--hark!
   To arms! away!
They come! they come! the knell is rung
   Of us or them;
Wide o'er their march the pomp is flung
   Of gold and gem.
What collar'd hound of lawless sway,
   To famine dear--
What pension'd slave of Attila,
   Leads in the rear?
Come they from Scythian wilds afar,
   Our blood to spill?

Hot sun, cool fire, tempered with sweet air,
Black shade, fair nurse, shadow my white hair.
Shine, sun; burn fire; breathe, air, and ease me;
Black shade, fair nurse, shroud me and please me;
Shadow, my sweet nurse, keep me from burning,
Make not my glad cause cause of mourning.
Let not my beauty's fire
Inflame unstaid desire,
Nor pierce any bright eye
That wand'reth lightly.

The stars are dimly seen among the shadows of the bay,
And lights that win are seen in strife with lights that die away.

The wave is very still -- the rudder loosens in our hand,
The zephyr will not fill our sail and waft us to the land;
O precious is the pause between the winds that come and go,
And sweet the silence of the shores between the ebb and flow.

No sound but sound of rest is on the bosom of the deep,
Soft as the breathing of a breast serenly hushed with sleep:
Lay by the ear; there is a voice at heart to sing or sigh --

I rode through the Bush in the burning noon,
   Over the hills to my bride, --
The track was rough and the way was long,
And Bannerman of the Dandenong,
   He rode along by my side.

A day's march off my Beautiful dwelt,
   By the Murray streams in the West; --
Lightly lilting a gay love-song
Rode Bannerman of the Dandenong,
   With a blood-red rose on his breast.

"Red, red rose of the Western streams"
   Was the song he sang that day --

This is a song to celebrate banks,
Because they are full of money and you go into them and all
you hear is clinks and clanks,
Or maybe a sound like the wind in the trees on the hills,
Which is the rustling of the thousand dollar bills.
Most bankers dwell in marble halls,
Which they get to dwell in because they encourage deposits
and discourage withdrawals,
And particularly because they all observe one rule which woe
betides the banker who fails to heed it,
Which is you must never lend any money to anybody unless