song

The quick sparks on the gorse bushes are leaping,
Little jets of sunlight-texture imitating flame;
Above them, exultant, the peewits are sweeping:
They are lords of the desolate wastes of sadness their screamings proclaim.

Rabbits, handfuls of brown earth, lie
Low-rounded on the mournful grass they have bitten down to the quick.
Are they asleep? -- Are they alive? -- Now see, when I
Move my arms the hill bursts and heaves under their spurting kick.

'Tis of a wild Colonial Boy, Jack Doolan was his name,
Of poor but honest parents he was born in Castlemaine.
He was his father's only hope, his mother's pride and joy,
And dearly did his parents love the wild Colonial Boy.

Chorus
Come, all my hearties, we'll roam the mountains high,
Together we will plunder, together we will die.
We'll wander over valleys, and gallop over plains,
And we'll scorn to live in slavery, bound down with iron chains.

He was scarcely sixteen years of age when he left his father's home,

DID you know, little child,
Ere you left the outer wild,
There were strong hands steady,
There were old songs ready,
There was love prepared to keep you with the hard earth reconciled?

Did you learn beyond the moon
All the happy sounds of noon?
A creek’s voice will greet you,
A wattle bend to meet you,
There are visions, there are voices: you will know them soon and soon.

Yes, for you will surely go
Where the deepest gullies grow,

HAIL, sister springs,
Parents of silver-footed rills!
   Ever bubbling things,
Thawing crystal, snowy hills!
   Still spending, never spent; I mean
   Thy fair eyes, sweet Magdalene.

   Heavens thy fair eyes be;
Heavens of ever-falling stars;
   'Tis seed-time still with thee,
And stars thou sow'st whose harvest dares
   Promise the earth to countershine
   Whatever makes Heaven's forehead fine.

   Every morn from hence
A brisk cherub something sips
   Whose soft influence

Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway ....
He did a lazy sway ....
To the tune o' those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man's soul.

Becalmed upon the equatorial seas,
   A ship of gold lay on a sea of fire;
   Each sail and rope and spar, as in desire,
Mutely besought the kisses of a breeze;
Low laughter told the mariners at ease;
   Sweet sea-songs hymned the red sun's fun'ral pyre:
   Yet One, with eyes that never seemed to tire,
Watched for the storm, nursed on the thunder's knees.

Thou watcher of the spirit's inner keep,
Scanning Death's lone, illimitable deep,
   Spread outward to the far immortal shore!

After Longfellow

Loud he sang the song Ta Phershon
For his personal diversion,
Sang the chorus U-pi-dee,
Sang about the Barley Bree.

In that hour when all is quiet
Sang he songs of noise and riot,
In a voice so loud and queer
That I wakened up to hear.

Songs that distantly resembled
Those one hears from men assembled
In the old Cross Keys Hotel,
Only sung not half so well.

For the time of this ecstatic
Amateur was most erratic,
And he only hit the key

The mountain sheep are sweeter,
But the valley sheep are fatter;
We therefore deemed it meeter
To carry off the latter.
We made an expedition;
We met a host, and quelled it;
We forced a strong position,
And killed the men who held it.

On Dyfed's richest valley,
Where herds of kine were browsing,
We made a mighty sally,
To furnish our carousing.
Fierce warriors rushed to meet us;
We met them, and o'erthrew them:
They struggled hard to beat us;
But we conquered them, and slew them.

Reflections on the poet's youth. An apostrophe to Selma. Oscar obtains leave to go to Inis-thona, an island of Scandinavia. The mournful story of Argon and Ruro, the two sons of the king of Inis-thona. Oscar revenges their death, and returns in triumph to Selma. A soliloquy by the poet himself.

Caros is probably the noted usurper Carausius, by birth a Menapran, who assumed the purple in the year 284; and, seizing on Britain, defeated the emperor Maximinian Herculius in several naval engagements, which gives propriety to his being called in this poem "the king of ships." He repaired Agricola's wall, in order to obstruct the incursions of the Caledonians, and when he was employed in that work, it appears he was attacked by a party under the command of Oscar the son of' Ossian. This battle is the foundation of the present poem, which is addressed to Malvina, the daughter of Toscar.