The Sea Is History

Where are your monuments, your battles, martyrs?
Where is your tribal memory? Sirs,
in that gray vault. The sea. The sea
has locked them up. The sea is History.

First, there was the heaving oil,
heavy as chaos;
then, likea light at the end of a tunnel,

the lantern of a caravel,
and that was Genesis.
Then there were the packed cries,
the shit, the moaning:

Exodus.
Bone soldered by coral to bone,
mosaics
mantled by the benediction of the shark's shadow,


The School-mistress. In Imitation of Spenser excerpt

Auditæ voces, vagitus et ingens,Infantunque animæ flentes in limine primo. Virg.ADVERTISEMENT
What particulars in Spenser were imagined most proper for the author's imitationon this occasion, are his language, his simplicity, his manner of description,and a peculiar tenderness of sentiment remarkable throughout his works.
Ah me! full sorely is my heart forlorn,
To think how modest worth neglected lies;
While partial fame doth with her blasts adorn
Such deeds alone, as pride and pomp disguise;


The Sausage Candidate-A Tale of the Elections

Our fathers, brave men were and strong,
And whisky was their daily liquor;
They used to move the world along
In better style than now -- and quicker.
Elections then were sport, you bet!
A trifle rough, there's no denying
When two opposing factions met
The skin and hair were always flying.
When "cabbage-trees" could still be worn
Without the question, "Who's your hatter?"
There dawned a bright election morn
Upon the town of Parramatta.
A man called Jones was all the go --


The Sandpiper

Across the lonely beach we flit,
One little sandpiper and I,
And fast I gather, but by bit,
The scattered drift-wood, bleached and dry.
The wild waves reach their hands for it,
The wild wind raves, the tide runs high,
As up and down the beach we flit,
One little sandpiper and I.

Above our heads the sullen clouds
Scud, black and swift, across the sky:
Like silent ghosts in misty shrouds
Stand out the white light-houses high.
Almost as far as eye can reach


The Rubaiyat of Omar Khayyam

Translated into English in 1859 by Edward FitzGerald

I.
Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

II.
Dreaming when Dawn's Left Hand was in the Sky
I heard a voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

III.
And, as the Cock crew, those who stood before


The Royal Tombs Of Golconda

I MUSE among these silent fanes
Whose spacious darkness guards your dust;
Around me sleep the hoary plains
That hold your ancient wars in trust.

I pause, my dreaming spirit hears,
Across the wind's unquiet tides,
The glimmering music of your spears,
The laughter of your royal brides.

In vain, O Kings, doth time aspire
To make your names oblivion's sport,
While yonder hill wears like a tier
The ruined grandeur of your fort.

Though centuries falter and decline,


The Rose

See, Mignonne, hath not the Rose,
That this morning did unclose
Her purple mantle to the light,
Lost, before the day be dead,
The glory of her raiment red,
Her colour, bright as yours is bright?

Ah, Mignonne, in how few hours,
The petals of her purple flowers
All have faded, fallen, died;
Sad Nature, mother ruinous,
That seest thy fair child perish thus
‘Twixt matin song and even tide.

Hear me, my darling, speaking sooth,
Gather the fleet flower of your youth,


The Rock Cries Out to Us Today

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than


The Robin Redbreast

The year's grown songless! No glad pipings thrill
The hedge-row elms, whose wind-worn branches shower
Their leaves on the sere grass, where some late flower
In golden chalice hoards the sunlight still.
Our summer guests, whose raptures used to fill
Each apple-blossomed garth and honeyed bower,
Have in adversity's inclement hour
Abandoned us to bleak November's chill.

But hearken! Yonder russet bird among
The crimson clusters of the homely thorn
Still bubbles o'er with little rills of song--


The Road to Hogan's Gap

Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.

Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.

But keep the crick upon your right,


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