spring

Art thou poor, yet hast thou golden slumbers?
O sweet content!
Art thou rich, yet is thy mind perplexed?
O punishment!
Dost thou laugh to see how fools are vexed
To add to golden numbers, golden numbers?
O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny, hey nonny nonny!

Canst drink the waters of the crisped spring?
O sweet content!

I

Yes! Beauty still rebels!
Our dreams like clouds disperse:
She dwells
In agate, marble, verse.

No false constraint be thine!
But, for right walking, choose
The fine,
The strict cothurnus, Muse.

Vainly ye seek to escape
The toil! The yielding phrase
Ye shape
Is clay, not chrysoprase.

And all in vain ye scorn
That seeming ease which ne’er
Was born
Of aught but love and care.

Take up the sculptor’s tool!
Recall the gods that die
To rule

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

That's why poetry is rightly said to be dictated by a daimonion,

WHEN the sap runs up the tree.
And the vine runs o’er the wall,
When the blossom draws the bee,
From the forest comes a call,
Wild, and clear, and sweet, and strange,
Many-tongued and murmuring
Like the river in the range—
’Tis the joyous voice of Spring!
On the boles of grey, old trees,
See the flying sunbeams play
Mystic, soundless melodies—
A fantastic march and gay;
But the young leaves hear them—hark
How they rustle, every one!—
And the sap beneath the bark

Shepherds go whistling on their way
In the spring season of the year;
One watches weather-signs of day;
One of his maid most dear
Dreams; and they do not hear
The birds that sing and sing; they do not see
Wide wealds of blue beyond their windy lea,
Nor blossoms red and white on every tree.

Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.

I. SONG.

Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.

Fame that her high worth to raise,
Seem'd erst so lavish and profuse,

The April rain, the April rain,
Comes slanting down in fitful showers,
Then from the furrow shoots the grain,
And banks are fledged with nestling flowers;
And in grey shaw and woodland bowers
The cuckoo through the April rain
Calls once again.

The April sun, the April sun,
Glints through the rain in fitful splendour,
And in grey shaw and woodland dun
The little leaves spring forth and tender
Their infant hands, yet weak and slender,
For warmth towards the April sun,
One after one.

Would you not be in Tryon
   Now that the spring is here,
When mocking-birds are praising
   The fresh, the blossomy year?

Look -- on the leafy carpet
   Woven of winter's browns
Iris and pink azaleas
   Flutter their gaudy gowns.

The dogwood spreads white meshes --
   So white and light and high --
To catch the drifting sunlight
   Out of the cobalt sky.

The pointed beech and maple,
   The pines, dark-tufted, tall,
Pattern with many colors

April, pride of woodland ways,
Of glad days,
April, bringing hope of prime,
To the young flowers that beneath
Their bud sheath
Are guarded in their tender time;

April, pride of fields that be
Green and free,
That in fashion glad and gay,
Stud with flowers red and blue,
Every hue,
Their jewelled spring array;

April, pride of murmuring
Winds of spring,
That beneath the winnowed air,
Trap with subtle nets and sweet
Flora’s feet,

Eyes the color of winter water,
eyes the winter of water where I

Quoits in the Spartan month
Hyacinthius, the game
joins us, pronounces

us god and boy: I toss him
the discus thinking This is mine
and the wind says Not yet

Memory with small hairs
pasted to pale wet skin
(the flower hyacinthos,
perhaps a fritillaria, not
the modern Hyacinthus orientalis)

After he smells of orange groves,
spreads white ass meat for me
him with a hole drilled in him I try