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The Pleasures Of Imagination

BOOK I

With what attractive charms this goodly frame
Of Nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle pow'rs
Of musical delight! and while I sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull

The Pitcher

THE simple Jane was sent to bring
Fresh water from the neighb'ring spring;
The matter pressed, no time to waste,
Jane took her jug, and ran in haste
The well to reach, but in her flurry
(The more the speed the worse the hurry),
Tripped on a rolling stone, and broke
Her precious pitcher,--ah! no joke!
Nay, grave mishap! 'twere better far
To break her neck than such a jar!
Her dame would beat and soundly rate her,
No way could Jane propitiate her.
Without a sou new jug to buy!
'Twere better far for her to die!

The Pine

The elm lets fall its leaves before the frost,
The very oak grows shivering and sere,
The trees are barren when the summer's lost:
But one tree keeps its goodness all the year.

Green pine, unchanging as the days go by,
Thou art thyself beneath whatever sky:
My shelter from all winds, my own strong pine,
'Tis spring, 'tis summer, still, while thou art mine.

The Picture of Little T. C. in a Prospect of Flowers

See with what simplicity
   This nymph begins her golden days!
   In the green grass she loves to lie,
   And there with her fair aspect tames
   The wilder flowers, and gives them names;
   But only with the roses plays,
   And them does tell
What colour best becomes them, and what smell.

   Who can foretell for what high cause
   This darling of the gods was born?
   Yet this is she whose chaster laws

The Petition for an Absolute Retreat

Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.

No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,
In those coverts ne'er be spread,

The peter-bird

Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--

The Peasent's Confession

"Si le maréchal Grouchy avait été rejoint par l'officier que
Napoléon lui avait expédié la veille à dix heures du soir, toute
question eût disparu. Mais cet officier n'était point parvenu à sa
destination, ainsi que le maréchal n'a cessé de l'affirmer toute sa
vie, et il faut l'en croire, car autrement il n'aurait eu aucune
raison pour hésiter. Cet officier avait-il été pris? avait-il passé à
l'ennemi? C'est ce qu'on a toujours ignoré."
--Thiers: Histoire de l'Empire. "Waterloo."

The Pasture

I'm going out to clean the pasture spring;
I'll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I shan't be gone long. -- You come too.

I'm going out to fetch the little calf
That's standing by the mother. It's so young,
It totters when she licks it with her tongue.
I shan't be gone long. -- You come too.

The Past

Oh! how sad the recollection! in the midst of joy it
springs;
What a train of faded pleasures that fond idea brings!
All those hours are gone for ever—they were sweet, but
pass'd away
Like the sunny clouds that vanish in the midst of dying
day.

I have number'd all the sorrows this tortured heart has
known;
I have counted each delight I would ever call my own;
But the moments are so woven, that the guiding clew is
gone,
And the sorrow and the pleasure blended into one.