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Sonnet On Hearing The Dies Irae Sung In The Sistine Chapel

Nay, Lord, not thus! white lilies in the spring,
Sad olive-groves, or silver-breasted dove,
Teach me more clearly of Thy life and love
Than terrors of red flame and thundering.
The hillside vines dear memories of Thee bring:
A bird at evening flying to its nest
Tells me of One who had no place of rest:
I think it is of Thee the sparrows sing.
Come rather on some autumn afternoon,
When red and brown are burnished on the leaves,
And the fields echo to the gleaner's song,
Come when the splendid fulness of the moon

Sonnet LIII Clear Anker

Another to the River Anker

Clear Anker, on whose silver-sanded shore
My soul-shrin'd saint, my fair Idea, lies,
O blessed brook, whose milk-white swans adore
The crystal stream refined by her eyes,
Where sweet myrrh-breathing Zephyr in the Spring
Gently distils his nectar-dropping showers,
Where nightingales in Arden sit and sing
Among the dainty dew-impearled flowers;
Say thus, fair Brook, when thou shalt see thy Queen,
"Lo, here thy shepherd spent his wand'ring years,
And in these shades, dear nymph, he oft hath been,

Sonnet IX

Amid the florid multitude her face
Was like the full moon seen behind the lace
Of orchard boughs where clouded blossoms part
When Spring shines in the world and in the heart.
As the full-moon-beams to the ferny floor
Of summer woods through flower and foliage pour,
So to my being's innermost recess
Flooded the light of so much loveliness;
She held as in a vase of priceless ware
The wine that over arid ways and bare
My youth was the pathetic thirsting for,
And where she moved the veil of Nature grew

Sonnet III Mindful of you the sodden earth

Mindful of you the sodden earth in spring,
And all the flowers that in the springtime grow,
And dusty roads, and thistles, and the slow
Rising of the round moon, all throats that sing
The summer through, and each departing wing,
And all the nests that the bared branches show,
And all winds that in any weather blow,
And all the storms that the four seasons bring.
You go no more on your exultant feet
Up paths that only mist and morning knew,
Or watch the wind, or listen to the beat

Sonnet I From Fairest Creatures We Desire Increase

From fairest creatures we desire increase,
That thereby beauty's rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory:
But thou, contracted to thine own bright eyes,
Feed'st thy light'st flame with self-substantial fuel,
Making a famine where abundance lies,
Thyself thy foe, to thy sweet self too cruel.
Thou that art now the world's fresh ornament
And only herald to the gaudy spring,
Within thine own bud buriest thy content
And, tender churl, makest waste in niggarding.

Sonnet 98 From you have I been absent in the spring

From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in every thing,
That heavy Saturn laughed and leaped with him.
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odour and in hue
Could make me any summer's story tell,
Or from their proud lap pluck them where they grew.
Nor did I wonder at the lily's white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight
Drawn after you, you pattern of all those.

Sonnet 63 Against my love shall be, as I am now

Against my love shall be, as I am now,
With Time's injurious hand crushed and o'erworn;
When hours have drained his blood and filled his brow
With lines and wrinkles; when his youthful morn
Hath travelled on to age's steepy night,
And all those beauties whereof now he's king
Are vanishing, or vanished out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age's cruel knife,
That he shall never cut from memory
My sweet love's beauty, though my lover's life.

Sonnet 53 What is your substance, whereof are you made

What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since everyone hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring, and foison of the year;
The one doth shadow of your beauty show,
The other as your bounty doth appear,
And you in every blessèd shape we know.
In all external grace you have some part,

Sonnet 28 - My letters all dead paper, mute and white

XXVIII

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand . . . a simple thing,
Yet I wept for it!—this, . . . the paper's light . . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled

Sonnet 21 - Say over again, and yet once over again

XXI

Say over again, and yet once over again,
That thou dost love me. Though the word repeated
Should seem 'a cuckoo-song,' as thou dost treat it,
Remember, never to the hill or plain,
Valley and wood, without her cuckoo-strain
Comes the fresh Spring in all her green completed.
Beloved, I, amid the darkness greeted
By a doubtful spirit-voice, in that doubt's pain
Cry, 'Speak once more—thou lovest! 'Who can fear
Too many stars, though each in heaven shall roll,
Too many flowers, though each shall crown the year?