spring

[Polyhymnia: Describing, The honourable Triumph at Tylt,
before her Maiestie, on the 17. of Nouember, last past,
being the first day of the three and thirtith yeare of
her Highnesse raigne. With Sir Henrie Lea, his resignation
of honour at Tylt, to her Maiestie, and receiued by the right
honourable, the Earle of Cumberland.]

[Polyhimnia. Entituled, with all dutie to the Right
Honourable, Lord Compton of Compton.]


Therefore, when thirtie two were come and gone,

In the same way that the mindless diamond keeps
one spark of the planet's early fires
trapped forever in its net of ice,
it's not love's later heat that poetry holds,
but the atom of the love that drew it forth
from the silence: so if the bright coal of his love
begins to smoulder, the poet hears his voice
suddenly forced, like a bar-room singer's -- boastful
with his own huge feeling, or drowned by violins;
but if it yields a steadier light, he knows
the pure verse, when it finally comes, will sound

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.

Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,

This poem is for my wife.
I have made it plainly and honestly:
The mark is on it
Like the burl on the knife.

I have not made it for praise.
She has no more need for praise
Than summer has
Or the bright days.

In all that becomes a woman
Her words and her ways are beautiful:
Love's lovely duty,
the well-swept room.

Wherever she is there is sun
And time and a sweet air:
Peace is there,
Work done.

There are always curtains and flowers
And candles and baked bread

It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.

My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn

About the size of an old-style dollar bill,
American or Canadian,
mostly the same whites, gray greens, and steel grays
-this little painting (a sketch for a larger one?)
has never earned any money in its life.
Useless and free., it has spent seventy years
as a minor family relic handed along collaterally to owners
who looked at it sometimes, or didn't bother to.

It must be Nova Scotia; only there
does one see abled wooden houses
painted that awful shade of brown.
The other houses, the bits that show, are white.

In the early evening, a now, as man is bending
over his writing table.
Slowly he lifts his head; a woman
appears, carrying roses.
Her face floats to the surface of the mirror,
marked with the green spokes of rose stems.

It is a form
of suffering: then always the transparent page
raised to the window until its veins emerge
as words finally filled with ink.

And I am meant to understand
what binds them together
or to the gray house held firmly in place by dusk

because I must enter their lives:

The year's at the spring,
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearl'd;
The lark's on the wing;
The snail's on the thorn;
God's in His heaven--
All's right with the world!

Three of us afloat in the meadow by the swing,
Three of us abroad in the basket on the lea.
Winds are in the air, they are blowing in the spring,
And waves are on the meadow like the waves there are at sea.

Where shall we adventure, to-day that we're afloat,
Wary of the weather and steering by a star?
Shall it be to Africa, a-steering of the boat,
To Providence, or Babylon or off to Malabar?

Hi! but here's a squadron a-rowing on the sea--
Cattle on the meadow a-charging with a roar!

As I was a-wand'ring ae morning in spring,
I heard a young ploughman sae sweetly to sing;
And as he was singin', thir words he did say, -
There's nae life like the ploughman's in the month o' sweet May.

The lav'rock in the morning she'll rise frae her nest,
And mount i' the air wi' the dew on her breast,
And wi' the merry ploughman she'll whistle and sing,
And at night she'll return to her nest back again.