Autumn

A touch of cold in the Autumn night --

I walked abroad,
And saw the ruddy moon lean over a hedge
Like a red-faced farmer.
I did not stop to speak, but nodded,
And round about were the wistful stars
With white faces like town children.


Author's Prologue

This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away


Australia

WHAT can we give in return
For her beauty and mystery
Of flowering forest, infinite plain,
Deep sky and distant mountain-chain,
And her triumphant sea,
Thundering old songs of liberty?

Love—steadfast as her stars,
And passionate as her sun,
And joyous as the winds, that fling
The golden petals of her spring
By gully, spur, and run,
On dreaming age, and little one:

Courage—when courage fails
In the blind smoke and pain


Aurora Borealis

    A crystallization of color spreads from the upper regions of the dark sky towards the trembling nipples of the waves. The feathering fringes of clouds fade behind pillars of green light. Transparent curtains tremble every-where. In the arctic temple, the hidden Samson of light shakes the moon-green pillars of the night.
    Color these crystals with sudden blood; it is dawn, or else the last consumptive saliva of the dying day. Heartless hard light!


Aunt Sally Speaks

Who have been educated out of naive responses,
The hoodoo of love, the cinderella of class
Knowing that everywhere man has the same clock face,
the same moody defences

Against age and the loss of love in the hope of millennimums
Who think too much perhaps of elegance
Or the form of wisdom, having outgrown dreams
Like baby clothes a long while since;

Wiseacres playing with terrible dolls in the twilight
holding our sides, thinking of mad Loyola
Or that bald maker of roads, the much stabbed Caesar


August

When my eyes are weeds,
And my lips are petals, spinning
Down the wind that has beginning
Where the crumpled beeches start
In a fringe of salty reeds;
When my arms are elder-bushes,
And the rangy lilac pushes
Upward, upward through my heart;

Summer, do your worst!
Light your tinsel moon, and call on
Your performing stars to fall on
Headlong through your paper sky;
Nevermore shall I be cursed
By a flushed and amorous slattern,
With her dusty laces' pattern


Aubade

THE lark now leaves his wat'ry nest,
   And climbing shakes his dewy wings.
He takes this window for the East,
   And to implore your light he sings--
Awake, awake! the morn will never rise
Till she can dress her beauty at your eyes.

The merchant bows unto the seaman's star,
   The ploughman from the sun his season takes,
But still the lover wonders what they are
   Who look for day before his mistress wakes.
Awake, awake! break thro' your veils of lawn!


Athor and Asar

[Dedicated to Frank Harris, editor of Vanity Fair]

On the black night, beneath the winter moon,
I clothed me in the limbs of Codia,
Swooning my soul out into her red throat,
So that the glimmer of our skins, the tune
Og our ripe rythm, seemed the hideous play
Of death-worms crawling on a corpse,afloat
With life that takes its thirst
Only from things accurst.

Closer than Clodia's clasp, Death had me down
To his black heart, and fed upon my breath,
So that we seemed a stilness -whiter than


Atherton's Gambit

The Master played the bishop’s pawn,
For jest, while Atherton looked on;
The master played this way and that,
And Atherton, amazed thereat,
Said “Now I have a thing in view
That will enlighten one or two,
And make a difference or so
In what it is they do not know.”

The morning stars together sang
And forth a mighty music rang—
Not heard by many, save as told
Again through magic manifold
By such a few as have to play
For others, in the Master’s way,
The music that the Master made


Atavism

1
Sometimes in the open you look up
where birds go by, or just nothing,
and wait. A dim feeling comes
you were like this once, there was air,
and quiet; it was by a lake, or
maybe a river you were alert
as an otter and were suddenly born
like the evening star into wide
still worlds like this one you have found
again, for a moment, in the open.


2
Something is being told in the woods: aisles of
shadow lead away; a branch waves;
a pencil of sunlight slowly travels its


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