The sun goes down, and with him takes
The coarseness of my por attire;
The fair moon mounts, and aye the flame
Of Gypsy beauty blazes higher.

Pale Northern girls! you scorn our race;
You captives of your air-tight halls,
Wear out in-doors your sickly days,
But leave us the horizon walls.

And if I take you, dames, to task,
And say it frankly without guile,
Then you are Gypsies in a mask,
And I the lady all the while.

If, on the heath, below the moon,
I court and play with paler blood,

The Rock-a-By Lady from Hushaby street
Comes stealing; comes creeping;
The poppies they hang from her head to her feet,
And each hath a dream that is tiny and fleet -
She bringeth her poppies to you, my sweet,
When she findeth you sleeping!

There is one little dream of a beautiful drum -
"Rub-a-dub!" it goeth;
There is one little dream of a big sugar-plum,
And lo! thick and fast the other dreams come
Of popguns that bang, and tin tops that hum,
And a trumpet that bloweth!

And dollies peep out of those wee little dreams

The roads also have their wistful rest,
When the weathercocks perch still and roost,
And the looks of men turn kind to clocks
And the trams go empty to their drome.
The streets also dream their dream.

The old houses muse of the old days
And their fond trees leaning on them doze.
On their steps chatter and clatter stops
For the cries of other times hold men
And they hear the unknown moan.

They remember alien ardours and far futures
And the smiles not seen in happy features.
Their begetters call them from the gutters;

I made the rising moon go back
behind the shouldering hill,
I raced along the eastern track
till time itself stood still.

The stars swarmed on behind the trees,
but I sped fast at they,
I could have made the sun arise,
and night turn back to day.

And like a long black carpet
behind the wheels, the night
unrolled across the countryside,
but all ahead was bright.

The fence-posts whizzed along wires
like days that fly too fast,
and telephone poles loomed up like years
and slipped into the past.

I, too, would ease my old car to a stop
on the side of some country road
and count the stars or admire a sunset
or sit quietly through an afternoon....

I'd open the door and go walking
like James Wright across a meadow,
where I might touch a pony's ear and
break into blossom; or, like Hayden

Carruth, sustained by the sight
of cows grazing in pastures at night,
I'd stand speechless in the great darkness;
I'd even search on some well-traveled road

like Phil Levine in this week's New Yorker,

The more we live, more brief appear
Our life's succeeding stages;
A day to childhood seems a year,
And years like passing ages.

The gladsome current of our youth,
Ere passion yet disorders,
Steals lingering like a river smooth
Along its grassy borders.

But as the careworn cheek grows wan,
And sorrow's shafts fly thicker,
Ye stars, that measure life to man,
Why seem your courses quicker?

When joys have lost their bloom and breath,
And life itself is vapid,
Why, as we reach the Falls of Death

In order to make a star with five branches
Where six would have been the same
A circle must first be drawn
In order to make a star with five branches ...

A ring!

One did not take so many precuations
In order to make a tree from many branches
Trees that hide the stars
Trees!
You, full of nests and song birds
Covered with branches and leaves
That you lift as far as the stars!

It was upon a Lammas night,
When corn rigs are bonnie,
Beneath the moon's unclouded light,
I held away to Annie:
The time flew by wi' tentless heed
Till 'tween the late and early,
Wi' sma' persuasion, she agreed
To see me thro' the barley.
Corn rigs, an' barley rigs,
An' corn rigs are bonnie:
I'll ne'er forget that happy night,
Amang the rigs wi' Annie.

The sky was blue, the wind was still,
The moon was shining clearly:

One night a poem came up to a poet
From now on, it said, you must wear a mask.
What kind of mask? asked the poet.
A rose mask, said the poem.
I've used it already, said the poet,
I've exhausted it.
Then wear the mask that's made out of
a nightingale's song, use that mask.
Oh, it's an old mask, said the poet,
it's all used up.
Nonsense, said the poem, it's the perfect mask,
still, try on the god mask,
now that mask illuminates heaven.
It's a tight mask, said the poet,
and the stars crawl about in it like ants.

He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.

And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.

They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.