sunshine

I saw her, Harry, first, in March --
You know the street that leadeth down
By the old bridge's crumbling arch? --
Just where it leaves the dusty town

A lonely house stands grim and dark --
You've seen it? then I need not say
How quaint the place is -- did you mark
An ivied window? Well! one day,

I, chasing some forgotten dream,
And in a poet's idlest mood,
Caught, as I passed, a white hand's gleam --
A shutter opened -- there she stood

Training the ivy to its prop.

When Watkin shifts the burden of his cares
And all that irked him in his bound employ,
Once more become a vagrom-hearted boy,
He moves to roundelays and jocund airs;
Loitering with dusty harvestmen, he shares
Old ale and sunshine; or, with maids half-coy,
Pays court to shadows; fools himself with joy,
Shaking a leg at junketings and fairs.

Sometimes, returning down his breezy miles,
A snatch of wayward April he will bring,
Piping the daffodilly that beguiles
Foolhardy lovers in the surge of spring.

A horseman on a hilltop green
Drew rein, and wound his horn;
So bright he looked he might have been
The Herald of the Morn.
His steed was of the sovran strain
In Fancy’s meadows bred—
And pride was in his tossing mane,
And triumph in his tread.

The rider’s eyes like jewels glowed—
The World was in his hand—
As down the woodland way he rode
When Spring was in the land.

From golden hour to golden hour
For him the woodland sang.
And from the heart of every flower

I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.

Welcome, rain or tempest
From yon airy powers,
We have languished for them
Many sultry hours,
And earth is sick and wan, and pines with all her flowers.

What have they been doing
In the burning June?
Riding with the genii?
Visiting the moon?
Or sleeping on the ice amid an arctic noon?

Bring they with them jewels
From the sunset lands?
What are these they scatter
With such lavish hands?
There are no brighter gems in Raolconda's sands.

Pattering on the gravel,

(The Doubter lays aside his book.)

"Answered a score of times." Oh, looked for teacher,
is this all you will teach me? I in the dark
reaching my hand for you to help me forth
to the happy sunshine where you stand, "Oh shame,
to be in the dark there, prisoned!" answer you;
"there are ledges somewhere there by which strong feet
might scale to daylight: I would lift you out
with just a touch, but that your need's so slight;
for there are ledges." And I grope and strain,

There's sunshine in the heart of me,
My blood sings in the breeze;
The mountains are a part of me,
I'm fellow to the trees.
My golden youth I'm squandering,
Sun-libertine am I;
A-wandering, a-wandering,
Until the day I die.
II
I was once, I declare, a Stone-Age man,
And I roomed in the cool of a cave;
I have known, I will swear, in a new life-span,
The fret and the sweat of a slave:
For far over all that folks hold worth,
There lives and there leaps in me

Now while so many turn with love and longing
   To wan lands lying in the grey North Sea,
To thee we turn, hearts, mem'ries, all belonging,
   Dear land of ours, to thee.

West, ever west, with the strong sunshine marching
   Beyond the mountains, far from this soft coast,
Until we almost see the great plains arching,
   In endless mirage lost.

A land of camps where seldom is sojourning,
   Where men like the dim fathers of our race,
Halt for a time, and next day, unreturning,

The murmur of the mourning ghost
That keeps the shadowy kine,
"Oh, Keith of Ravelston,
The sorrows of thy line!"

Ravelston, Ravelston,
The merry path that leads
Down the golden morning hill,
And thro' the silver meads;

Ravelston, Ravelston,
The stile beneath the tree,
The maid that kept her mother's kine,
The song that sang she!

She sang her song, she kept her kine,
She sat beneath the thorn,
When Andrew Keith of Ravelston

I bought a run a while ago,
On country rough and ridgy,
Where wallaroos and wombats grow --
The Upper Murrumbidgee.
The grass is rather scant, it's true,
But this a fair exchange is,
The sheep can see a lovely view
By climbing up the ranges.

And She-oak Flat's the station's name,
I'm not surprised at that, sirs:
The oaks were there before I came,
And I supplied the flat, sirs.
A man would wonder how it's done,
The stock so soon decreases --
They sometimes tumble off the run