swimming

WE two--how long we were fool'd!
Now transmuted, we swiftly escape, as Nature escapes;
We are Nature--long have we been absent, but now we return;
We become plants, leaves, foliage, roots, bark;
We are bedded in the ground--we are rocks;
We are oaks--we grow in the openings side by side;
We browse--we are two among the wild herds, spontaneous as any;
We are two fishes swimming in the sea together;
We are what the locust blossoms are--we drop scent around the lanes,
mornings and evenings;

When she says Margarita she means Daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca

Last night, again, I dreamed
my children were back at home,
small boys huddled in their separate beds,
and I went from one to the other
listening to their breathing -- regular,
almost soundless -- until a white light
hardened against the bedroom wall,
the light of Los Angeles burning south
of here, going at last as we
knew it would. I didn't waken.
Instead the four of us went out
into the front yard and the false dawn
that rose over the Tehachipis and stood
in our bare feet on the wet lawn

Wake not for the world-heard thunder,
Nor the chimes that earthquakes toll;
Stars may plot in heaven with planet,
Lightning rive the rock of granite,
Tempest tread the oakwood under,
Fear not you for flesh or soul;
Marching, fighting, victory past,
Stretch your limbs in peace at last.

Stir not for the soldier's drilling,
Nor the fever nothing cures;
Throb of drum and timbal's rattle
Call but men alive to battle,
And the fife with death-notes filling
Screams for blood--but not for yours.

In flat America, in Chicago,
Graceland cemetery on the German North Side.
Forty feet of Corinthian candle
celebrate Pullman embedded
lonely raisin in a cake of concrete.
The Potter Palmers float
in an island parthenon.
Barons of hogfat, railroads and wheat
are postmarked with angels and lambs.

But the Getty tomb: white, snow patterned
in a triangle of trees swims dappled with leaf shadow,
sketched light arch within arch
delicate as fingernail moons.

two smiles meet towards
the child-wheel of my zeal
the bloody baggage of creatures
made flesh in physical legends-lives

the nimble stags storms cloud over
rain falls under the scissors of
the dark hairdresser-furiously
swimming under the clashing arpeggios

in the machine's sap grass
grows around with sharp eyes
here the share of our caresses
dead and departed with the waves

gives itself up to the judgment of time
parted by the meridian of hairs
non strikes in our hands

He thinks her little feet should pass
Where dandelions star thickly grass;
Her hands should lift in sunlit air
Sea-wind should tangle up her hair.
Green leaves, he says, have never heard
A sweeter ragtime mockingbird,
Nor has the moon-man ever seen,
Or man in the spotlight, leering green,
Such a beguiling, smiling queen.

Her eyes, he says, are stars at dusk,
Her mouth as sweet as red-rose musk;
And when she dances his young heart swells
With flutes and viols and silver bells;

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than a gin rummy is a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,

Come on, ye critics! Find one fault who dare,
For, read it backward like a witch's prayer,
'Twill do as well; throw not away your jests
On solid nonsense that abides all tests.
Wit, like tierce claret, when 't begins to pall,
Neglected lies and's of no use at all;
But in its full perfection of decay,
Turns vinegar and comes again in play.
This simile shall stand in thy defence
'Gainst such dull rogues as now and then write sense.
He lies, dear Ned, who says thy brain is barren,

The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half-submerged balls.

I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.

I want to be with people who submerge