today

The night has been long,
The wound has been deep,
The pit has been dark,
And the walls have been steep.

Under a dead blue sky on a distant beach,
I was dragged by my braids just beyond your reach.
Your hands were tied, your mouth was bound,
You couldn't even call out my name.
You were helpless and so was I,
But unfortunately throughout history
You've worn a badge of shame.

I say, the night has been long,
The wound has been deep,
The pit has been dark
And the walls have been steep.

Thirty today, I saw
The trees flare briefly like
The candles upon a cake
As the sun went down the sky,
A momentary flash
Yet there was time to wish

Before the break light could die
If I had known what to wish
As once I must have known
Bending above the clean candlelit tablecloth
To blow them out with a breath

I have banked the fires
of my body
into a small but steady blaze
here in the kitchen
where the dough has a life of its own,
breathing under its damp cloth
like a sleeping child;
where the real child plays under the table,
pretending the tablecloth is a tent,
practicing departures; where a dim
brown bird dazzled by light
has flown into the windowpane
and lies stunned on the pavement--
it was never simple, even for birds,
this business of nests.
The innocent eye sees nothing, Auden says,

On this festive first of May,
Wending wistfully my way
Three sad sights I saw today.

The first was such a lovely lad
He lit with grace the sordid street;
Yet in a monk's robe he was clad,
With tonsured head and sandalled feet.
Though handsome as a movie star
His eyes had holiness in them,
As if he saw afaint, afar
A stable-stall in Bethlehem.

The second was a crippled maid
Who gazed and gazed with eager glance
Into a window that displayed
The picture of a ballet dance.

It's mighty quiet in the house
Since Mary Ellen quit me cold;
I've swept the hearth and fed the mouse
That's getting fat and overbold.
I've bought a pig's foot for the pot
And soon I'll set the fire alight;
Then I may eat or I may not,
Depends upon my appetite.

Since Mary Ellen left me lone
I haven't earned a bloody bob.
I sit and sigh, and mope and moan,
And bellyache I quit my job.
My money's mostly gone,--I think
I ought to save it up for food . . .

Come Jack, our place is with the ruck
On the open road today,
Not with the tepid "footpath sneak"
Or with the wise who stop away.

A straggling, tame procession, perhaps,
A butt for burgess scorn;
Its flags are ragged sentiments,
And its music's still unborn.

Though none respectable are here,
And trim officials ban,
Our duty, Jack, is not with them,
But here with Hope and Man.

Nor have we cause for shame, who see,
In the glory-lighted street,
The Old Brigade of Liberty

When Yankee soldiers reach the barricade
Then Joan of Arc gives each the accolade.

For she is there in armor clad, today,
All the young poets of the wide world say.

Which of our freemen did she greet the first,
Seeing him come against the fires accurst?

Mark Twain, our Chief, with neither smile nor jest,
Leading to war our youngest and our best.

The Yankee to King Arthur's court returns.
The sacred flag of Joan above him burns.

For she has called his soul from out the tomb.

Many birds and the beating of wings
Make a flinging reckless hum
In the early morning at the rocks
Above the blue pool
Where the gray shadows swim lazy.

In your blue eyes, O reckless child,
I saw today many little wild wishes,
Eager as the great morning.

This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,

as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.

In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude

I

The arts are old, old as the stones
From which man carved the sphinx austere.
Deep are the days the old arts bring:
Ten thousand years of yesteryear.


II

She is madonna in an art
As wild and young as her sweet eyes:
A frail dew flower from this hot lamp
That is today's divine surprise.

Despite raw lights and gloating mobs
She is not seared: a picture still:
Rare silk the fine director's hand
May weave for magic if he will.

When ancient films have crumbled like