together

By such an all-embalming summer day
As sweetens now among the mountain pines
Down to the cornland yonder and the vines,
To where the sky and sea are mixed in gray,
How do all things together take their way
Harmonious to the harvest, bringing wines
And bread and light and whatsoe'er combines
In the large wreath to make it round and gay.
To me my troubled life doth now appear
Like scarce distinguishable summits hung
Around the blue horizon: places where
Not even a traveller purposeth to steer, --

I.

Bleak was the pathway and barren the mountain,
As the traveller passed on his wearisome way,
Sealed by the frost was each murmuring fountain,
And the sun shone through mist with a blood-coloured ray.
But neither the road nor the danger together,
Could alter his purpose, nor yet the rough weather;
So on went the wayfarer through the thick heather,
Till he came to the cave where the dread witches stay.


II.

Hewn from the rock was that cavern so dreary,

This present tragedy will eventually
turn into myth, and in the mist
of that later telling the bell tolling
now will be a symbol, or, at least,
a sign of something long since lost.

This will be another one of those
loose changes, the rearrangement of
hearts, just parts of old lives
patched together, gathered into
a dim constellation, small consolation.

Look, we will say, you can almost see
the outline there: her fingertips
touching his, the faint fusion
of two bodies breaking into light.

At dusk I saw a craintive mouse
That sneaked and stole around the house;
At first I took it for a ghost,
For it was snowy white - almost.

I've seen them in captivity,
But this white mouse was wild and free,
And every eye with stealth it stole
And foraged in the garbage hole.

I told the folks, yet wondered why
No one could see the mouse but I;
For it was really, truly white,
And not just silvered by moonlight.

And then there came a big black cat,
And thought I said: "Get out of that!"

I used to think a pot of ink
Held magic in its fluid,
And I would ply a pen when I
Was hoary a a Druid;
But as I scratch my silver thatch
My battered old Corona
Calls out to me as plaintively
As dying Desdemona.

"For old time's sake give me a break:
To you I've been as loyal
As ever could an Underwood,
Or Remington or Royal.
The globe we've spanned together and
Two million words, maybe,
For you I've tapped - it's time you rapped
A rhyme or two for me.

488

Myself was formed—a Carpenter—
An unpretending time
My Plane—and I, together wrought
Before a Builder came—

To measure our attainments—
Had we the Art of Boards
Sufficiently developed—He'd hire us
At Halves—

My Tools took Human—Faces—
The Bench, where we had toiled—
Against the Man—persuaded—
We—Temples build—I said—

As once I rambled in the woods
I chanced to spy amid the brake
A huntsman ride his way beside
A fair and passing tranquil lake;
Though velvet bucks sped here and there,
He let them scamper through the green--
Not one smote he, but lustily
He blew his horn--what could it mean?

As on I strolled beside that lake,
A pretty maid I chanced to see
Fishing away for finny prey,
Yet not a single one caught she;
All round her boat the fishes leapt
And gambolled to their hearts' content,

Just when I thought there wasn't room enough
for another thought in my head, I had this great idea--
call it a philosophy of life, if you will.Briefly,
it involved living the way philosophers live,
according to a set of principles. OK, but which ones?

That was the hardest part, I admit, but I had a
kind of dark foreknowledge of what it would be like.
Everything, from eating watermelon or going to the bathroom
or just standing on a subway platform, lost in thought
for a few minutes, or worrying about rain forests,

SO grieves th' adventurous merchant, when he throws
All the long toil'd-for treasure his ship stows
Into the angry main, to save from wrack
Himself and men, as I grieve to give back
These letters : yet so powerful is your sway
As if you bid me die, I must obey.
Go then, blest papers, you shall kiss those hands
That gave you freedom, but hold me in bands ;
Which with a touch did give you life, but I,
Because I may not touch those hands, must die.
Methinks, as if they knew they should be sent

after Henri Michaux


Somehow it got into my room.
I found it, and it was, naturally, trapped.
It was nothing more than a frightened animal.
Since than I raised it up.
I kept it for myself, kept it in my room,
kept it for its own good.
I named the animal, My Life.
I found food for it and fed it with my bare hands.
I let it into my bed, let it breathe in my sleep.
And the animal, in my love, my constant care,
grew up to be strong, and capable of many clever tricks.
One day, quite recently,