tree

This unimportant morning
Something goes singing where
The capes turn over on their sides
And the warm Adriatic rides
Her blue and sun washing
At the edge of the world and its brilliant cliffs.

Day rings in the higher airs
Pure with cicadas, and slowing
Like a pulse to smoke from farms,

Extinguished in the exhausted earth,
Unclenching like a fist and going.

Trees fume, cool, pour - and overflowing
Unstretch the feathers of birds and shake
Carpets from windows, brush with dew

This section is a Christmas tree:
Loaded with pretty toys for you.
Behold the blocks, the Noah's arks,
The popguns painted red and blue.
No solemn pine-cone forest-fruit,
But silver horns and candy sacks
And many little tinsel hearts
And cherubs pink, and jumping-jacks.
For every child a gift, I hope.
The doll upon the topmost bough
Is mine. But all the rest are yours.
And I will light the candles now.

This morning was something. A little snow
lay on the ground. The sun floated in a clear
blue sky. The sea was blue, and blue-green,
as far as the eye could see.
Scarcely a ripple. Calm. I dressed and went
for a walk -- determined not to return
until I took in what Nature had to offer.
I passed close to some old, bent-over trees.
Crossed a field strewn with rocks
where snow had drifted. Kept going
until I reached the bluff.
Where I gazed at the sea, and the sky, and

It was taken some time ago
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

then, as you scan
it, you can see something in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

In the background there is a lake,
and beyond that, some low hills.

(The photograph was taken
the day after I drowned.

On Sinai's top, in prayer and trance,
Full forty nights and forty days
The Prophet watched for one dear glance
Of thee and of Thy ways:

Fasting he watched and all alone,
Wrapt in a still, dark, solid cloud,
The curtain of the Holy One
Drawn round him like a shroud:

So, separate from the world, his breast
Might duly take and strongly keep
The print of Heaven, to be expressed
Ere long on Sion's steep.

There one by one his spirit saw
Of things divine the shadows bright,

I

Among twenty snowy mountains,
The only moving thing
Was the eye of the black bird.

II

I was of three minds,
Like a tree
In which there are three blackbirds.

III

The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV

A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V

I do not know which to prefer,
The beauty of inflections

it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus

Out of burlap sacks, out of bearing butter,
Out of black bean and wet slate bread,
Out of the acids of rage, the candor of tar,
Out of creosote, gasoline, drive shafts, wooden dollies,
They Lion grow.

Out of the gray hills
Of industrial barns, out of rain, out of bus ride,
West Virginia to Kiss My Ass, out of buried aunties,
Mothers hardening like pounded stumps, out of stumps,
Out of the bones' need to sharpen and the muscles' to stretch,
They Lion grow.

There is a solemn wind to-night
That sings of solemn rain;
The trees that have been quiet so long
Flutter and start again.

The slender trees, the heavy trees,
The fruit trees laden and proud,
Lift up their branches to the wind
That cries to them so loud.

The little bushes and the plants
Bow to the solemn sound,
And every tiniest blade of grass
Shakes on the quiet ground.

The wind was rough which tore
That leaf from its parent tree
The fate was cruel which bore
The withering corpse to me

We wander on we have no rest
It is a dreary way

What shadow is it
That ever moves before [my] eyes
It has a brow of ghostly whiteness