tree

The first ones were attached to my dress
at the waist, one on either side,
right at the point where hands could clasp you and
pick you up, as if you were a hot
squeeze bottle of tree syrup, and the
sashes that emerged like axil buds from the
angles of the waist were used to play horses, that
racing across the cement while someone
held your reins and you could feel your flesh
itself in your body wildly streaming.
You would come home, a torn-off sash
dangling from either hand, a snake-charmer—

I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."


I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

Hush'd on the hill

Is the breeze;

Scarce by the zephyr

The trees

Softly are press'd;
The woodbird's asleep on the bough.
Wait, then, and thou

Soon wilt find rest.

Oh all ye, who pass by, whose eyes and mind
To worldly things are sharp, but to me blind;
To me, who took eyes that I might you find:
Was ever grief like mine?

The Princes of my people make a head
Against their Maker: they do wish me dead,
Who cannot wish, except I give them bread:
Was ever grief like mine?

Without me each one, who doth now me brave,
Had to this day been an Egyptian slave.
They use that power against me, which I gave:
Was ever grief like mine?

Through that window—all else being extinct
Except itself and me—I saw the struggle
Of darkness against darkness. Within the room
It turned and turned, dived downward. Then I saw
How order might—if chaos wished—become:
And saw the darkness crush upon itself,
Contracting powerfully; it was as if
It killed itself, slowly: and with much pain.
Pain. The scene was pain, and nothing but pain.
What else, when chaos draws all forces inward
To shape a single leaf? . . .
For the leaf came
Alone and shining in the empty room;

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than

The roads also have their wistful rest,
When the weathercocks perch still and roost,
And the looks of men turn kind to clocks
And the trams go empty to their drome.
The streets also dream their dream.

The old houses muse of the old days
And their fond trees leaning on them doze.
On their steps chatter and clatter stops
For the cries of other times hold men
And they hear the unknown moan.

They remember alien ardours and far futures
And the smiles not seen in happy features.

Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.

Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.

But keep the crick upon your right,

I made the rising moon go back
behind the shouldering hill,
I raced along the eastern track
till time itself stood still.

The stars swarmed on behind the trees,
but I sped fast at they,
I could have made the sun arise,
and night turn back to day.

And like a long black carpet
behind the wheels, the night
unrolled across the countryside,
but all ahead was bright.

The fence-posts whizzed along wires
like days that fly too fast,
and telephone poles loomed up like years

There is a great river this side of Stygia
Before one comes to the first black cataracts
And trees that lack the intelligence of trees.

In that river, far this side of Stygia,
The mere flowing of the water is a gayety,
Flashing and flashing in the sun. On its banks,

No shadow walks. The river is fateful,
Like the last one. But there is no ferryman.
He could not bend against its propelling force.

It is not to be seen beneath the appearances
That tell of it. The steeple at Farmington