warning

Love in a humor play'd the prodigal
And bade my Senses to a solemn feast;
Yet, more to grace the company withal,
Invites my Heart to be the chiefest guest.
No other drink would serve this glutton's turn
But precious tears distilling from mine eyne,
Which with my sighs this epicure doth burn,
Quaffing carouses in this costly wine;
Where, in his cups o'ercome with foul excess,
Straightways he plays a swaggering ruffian's part,
And at the banquet in his drunkenness

No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world with vilest worms to dwell.
Nay if you read this line, remember not
The hand that writ it, for I love you so
That I in your sweet thoughts would be forgot
If thinking on me then should make you woe.
O, if, I say, you look upon this verse,
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay,

What gossamer lures thee now? What hope, what name
Is on thy lips? What dreams to fruit have grown?
Thou who hast turned ONE Poet-heart to stone,
Is thine yet burning with its seraph flame?
Let me give back a warning of thine own,
That, falling from thee many moons ago,
Sank on my soul like the prophetic moan
Of some young Sibyl shadowing her own woe.
The words are thine, and will not do thee wrong,
I only bind their solemn charge to song.
Thy tread is on a quicksand -- oh! be wise!

Love is enough: cherish life that abideth,
Lest ye die ere ye know him, and curse and misname him;
For who knows in what ruin of all hope he hideth,
On what wings of the terror of darkness he rideth?
And what is the joy of man's life that ye blame him
For his bliss grown a sword, and his rest grown a fire?

Ye who tremble for death, or the death of desire,
Pass about the cold winter-tide garden and ponder
On the rose in his glory amidst of June's fire,
On the languor of noontide that gathered the thunder,

I like the cool and heft of it, dull metal on the palm,
And the click, the hiss, the spark fuming into flame,
Boldface of fire, the rage and sway of it, raw blue at the base
And a slope of gold, a touch to the packed tobacco, the tip
Turned red as a warning light, blown brighter by the breath,
The pull and the pump of it, and the paper's white
Smoothed now to ash as the smoke draws back, drawn down
To the black crust of lungs, tar and poisons in the pink,
And the blood sorting it out, veins tight and the heart slow,

Of all the youths I ever saw
None were so wicked, vain, or silly,
So lost to shame and Sabbath law,
As worldly TOM, and BOB, and BILLY.

For every Sabbath day they walked
(Such was their gay and thoughtless nature)
In parks or gardens, where they talked
From three to six, or even later.

SIR MACKLIN was a priest severe
In conduct and in conversation,
It did a sinner good to hear
Him deal in ratiocination.

He could in every action show
Some sin, and nobody could doubt him.

Long warned of many terrors more severe
To scorch him than hell’s engines could awaken,
He scanned again, too far to be so near,
The fearful seat no man had ever taken.

So many other men with older eyes
Than his to see with older sight behind them
Had known so long their one way to be wise,—
Was any other thing to do than mind them?

So many a blasting parallel had seared
Confusion on his faith,—could he but wonder
If he were mad and right, or if he feared

However the battle is ended,
Though proudly the victor comes,
With flaunting flags and neighing nags
And echoing roll of drums;
Still truth proclaims this motto
In letters of living light,
No question is ever settled
Until it is settled right.

Though the heel of the strong oppressor
May grind the weak in the dust,
And the voices of fame with one acclaim
May call him great and just;
Let those who applaud take warning
And keep this motto in sight,
No question is ever settled

All the snows have fled, and grass springs up on the meadows,
And there are leaves on the trees;
Earth has changed her looks, and turbulent rivers decreasing,
Slowly meander along;
Now, with the naked nymphs and her own twin sisters, Aglaïa
Gracefully dances in time.
But the Year, and the Hours which hurry along our existence,
Solemnly warn us to die.
Zephyr removes the frost, and Summer, soon destined to perish,
Treads in the footsteps of Spring,
After the joyous reign of Autumn, abounding in apples,

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .