Tam Lin

O I forbid you, maidens a',
That wear gowd on your hair,
To come or gae by Carterhaugh,
For young Tam Lin is there.

There's nane that gaes by Carterhaugh
But they leave him a wad,
Either their rings, or green mantles,
Or else their maidenhead.

Janet has kilted her green kirtle
A little aboon her knee,
And she has broded her yellow hair
A little aboon her bree,
And she's awa to Carterhaugh
As fast as she can hie.

When she came to carterhaugh
Tam Lin was at the well,


Taliesin

I have been all men known to history,
Wondering at the world and at time passing;
I have seen evil, and the light blessing
Innocent love under a spring sky.

I have been Merlin wandering in the woods
Of a far country, where the winds waken
Unnatural voices, my mind broken
By a sudden acquaintance with man's rage.

I have been Glyn Dwr set in the vast night,
Scanning the stars for the propitious omen,
A leader of men, yet cursed by the crazed women
Mourning their dead under the same stars.


Taking Leave of a Friend

Blue mountains to the north of the walls,
White river winding about them;
Here we must make separation
And go out through a thousand miles of dead grass.

Mind like a floating wide cloud,
Sunset like the parting of old acquaintances
Who bow over their clasped hands at a distance.
Our horses neigh to each others
as we are departing.


Syrinx

Like the foghorn that's all lung,
the wind chime that's all percussion,
like the wind itself, that's merely air
in a terrible fret, without so much
as a finger to articulate
what ails it, the aeolian
syrinx, that reed
in the throat of a bird,
when it comes to the shaping of
what we call consonants, is
too imprecise for consensus
about what it even seems to
be saying: is it o-ka-lee
or con-ka-ree, is it really jug jug,
is it cuckoo for that matter? —
much less whether a bird's call


Syringa

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?


Symbol

The winter apples have been picked, the garden turned.
Rain and wind have picked the maple leaves and gone.
The last of them now bank the house or have been burned.
None are left upon the trees or on the lawn.

Green and tall as ever it grew in spring the grass
Grows not too tall, will not be cut again this year.
Geraniums in bloom behind the windowglass
Are safe. Fall has fallen yet winter is not yet here.

How warm the late November sun although how wan.
The white house stands a symbol of fulfillment there,


Sweethearts of the Year

Sweetheart Spring

Our Sweetheart, Spring, came softly,
Her gliding hands were fire,
Her lilac breath upon our cheeks
Consumed us with desire.

By her our God began to build,
Began to sow and till.
He laid foundations in our loves
For every good and ill.
We asked Him not for blessing,
We asked Him not for pain —
Still, to the just and unjust
He sent His fire and rain.


Sweetheart Summer

We prayed not, yet she came to us,


Sweet And Low

Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.

Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the best,
Silver sails all out of the west,
Under the silver moon:


Summer Dawn

Pray but one prayer for me 'twixt thy closed lips,
Think but one thought of me up in the stars.
The summer night waneth, the morning light slips,
Faint and grey 'twixt the leaves of the aspen, betwixt the cloud-bars
That are patiently waiting there for the dawn:
Patient and colourless, though Heaven's gold
Waits to float through them along with the sun.
Far out in the meadows, above the young corn,
The heavy elms wait, and restless and cold
The uneasy wind rises; the roses are dun;


Summer Wind

It is a sultry day; the sun has drank
The dew that lay upon the morning grass,
There is no rustling in the lofty elm
That canopies my dwelling, and its shade
Scarce cools me. All is silent, save the faint
And interrupted murmur of the bee,
Settling on the sick flowers, and then again
Instantly on the wing. The plants around
Feel the too potent fervors; the tall maize
Rolls up its long green leaves; the clover droops
Its tender foliage, and declines its blooms.
But far in the fierce sunshine tower the hills,


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