wind

Why dost thou beat thy breast and rend thine hair,
And to the deaf sea pour thy frantic cries?
Before the gale the laden vessel flies;
The Heavens all-favoring smile, the breeze is fair;
Hark to the clamors of the exulting crew!
Hark how their thunders mock the patient skies!
Why dost thou shriek and strain thy red-swoln eyes
As the white sail dim lessens from thy view?
Go pine in want and anguish and despair,
There is no mercy found in human-kind--
Go Widow to thy grave and rest thee there!

Blind Peter Piper used to play
All up and down the city;
I'd often meet him on my way,
And throw a coin for pity.
But all amid his sparkling tones
His ear was quick as any
To catch upon the cobble-stones
The jingle of my penny.

And as upon a day that shone
He piped a merry measure:
"How well you play!" I chanced to say;
Poor Peter glowed with pleasure.
You'd think the words of praise I spoke
Were all the pay he needed;
The artist in the player woke,
The penny lay unheeded.

My garden robin in the Spring
Was rapturous with glee,
And followed me with wistful wing
From pear to apple tree;
His melodies the summer long
He carolled with delight,
As if he could with jewelled song
Find favour in my sight.

And now that Autumn's in the air
He's singing singing still,
And yet somehow I cannot bear
The frenzy of his bill;
The keen wind ruffs his ruddy breast
As to bare boughs he clings;
The sun is sullen in the West
Yet still he sings and sings.

(A.D. 1800)


Your jar of Virginny
Will cost you a guinea,
Which you reckon too much by five shillings or ten;
But light your churchwarden
And judge it according,
When I've told you the troubles of poor honest men.

From the Capes of the Delaware,
As you are well aware,
We sail which tobacco for England-but then,
Our own British cruisers,
They watch us come through, sirs,
And they press half a score of us poor honest men!

Or if by quick sailing
(Thick weather prevailing )

192

Poor little Heart!
Did they forget thee?
Then dinna care! Then dinna care!

Proud little Heart!
Did they forsake thee?
Be debonnaire! Be debonnaire!

Frail little Heart!
I would not break thee—
Could'st credit me? Could'st credit me?

Gay little Heart—
Like Morning Glory!
Wind and Sun—wilt thee array!

I. THE LION

The Lion is a kingly beast.
He likes a Hindu for a feast.
And if no Hindu he can get,
The lion-family is upset.

He cuffs his wife and bites her ears
Till she is nearly moved to tears.
Then some explorer finds the den
And all is family peace again.


II. AN EXPLANATION OF THE GRASSHOPPER

The Grasshopper, the grasshopper,
I will explain to you:—
He is the Brownies' racehorse,
The fairies' Kangaroo.

Act I, scene 1, lines 141-60



Poor old pilgrim Misery,
Beneath the silent moon he sate,
A-listening to the screech owl's cry,
And the cold wind's goblin prate;
Beside him lay his staff of yew
With withered willow twined,
His scant grey hair all wet with dew,
His cheeks with grief ybrined;
And his cry it was ever, alack!
Alack, and woe is me.

Anon a wanton imp astray
His piteous moaning hears,
And from his bosom steals away
His rosary of tears:

What wonder this?--we ask the lympid well,
O earth! of thee--and from thy solemn womb
What yieldest thou?--is there life in the abyss--
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
Rome--Greece!--Oh, come!--Behold--behold! for this!
Our living world--the old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon house--its silent halls once more
Opes the broad portico!--Oh, haste and fill
Again those halls with life!--Oh, pour along

And it was at that age ... Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names,
my eyes were blind,

I look for the way
things will turn
out spiralling from a center,
the shape
things will take to come forth in

so that the birch tree white
touched black at branches
will stand out
wind-glittering
totally its apparent self:

I look for the forms
things want to come as

from what black wells of possibility,
how a thing will
unfold:

not the shape on paper -- though
that, too -- but the
uninterfering means on paper:

not so much looking for the shape