wind

I

Oh chimes set high on the sunny tower
Ring on, ring on unendingly,
Make all the hours a single hour,
For when the dusk begins to flower,
The man I love will come to me! . . .

But no, go slowly as you will,
I should not bid you hasten so,
For while I wait for love to come,
Some other girl is standing dumb,
Fearing her love will go.

II

Oh white steam over the roofs, blow high!
Oh chimes in the tower ring clear and free !
Oh sun awake in the covered sky,

Down by the slipralls stands our cow
Chewing, chewing, chewing,
She does not care what folks out there
In the great, big world are doing.
She sees the small cloud-shadows pass
And green grass shining under.
If she does think, what does she think
About it all, I wonder?

She sees the swallows skimming by
Above the sweet young clover,
The light reeds swaying in the wind
And tall trees bending over.
Far down the track she hears the crack
of bullock-whips, and raving

Out of the cradle endlessly rocking,
Out of the mocking-bird's throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child
leaving his bed wander'd alone, bareheaded, barefoot,
Down from the shower'd halo,
Up from the mystic play of shadows twining and twisting as
if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and

The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,
where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;

Baloo

For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: " Tabaqui sings again."
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill."

Are they blue, gray or green? Mysterious eyes
(as if in fact you were looking through a mist)
in alternation tender, dreamy, grim
to match the shiftless pallor of the sky.

That's what you're like- these warm white afternoons
which make the ravished heart dissolve in tears,
the nerves, inexplicably overwrought,
outrage the dozing mind.

Not always, though-sometimes
you're like the horizon when the sun
ignites our cloudy autumn-how you glow!
A sodden countryside in sudden rout,

Over the sea our galleys went,
With cleaving prows in order brave,
To a speeding wind and a bounding wave,

A gallant armament:
Each bark built out of a forest-tree,

Left leafy and rough as first it grew,
And nailed all over the gaping sides,
Within and without, with black bull-hides,
Seethed in fat and suppled in flame,
To bear the playful billows' game:
So, each good ship was rude to see,
Rude and bare to the outward view,

But each upbore a stately tent

You could grow into it,
that sense of living like a dog,
loyal to being on your own in the fur of your skin,
able to exist only for the sake of existing.

Nothing inside your head lasting long enough for you to hold onto,
you watch your own thoughts leap across your own synapses and disappear --
small boats in a wind,
fliers in all that blue,
the swish of an arm backed with feathers,
a dress talking in a corner,
and then poof,

Away, away she plunges,
With her white sails o’er her spread,
Like the sheety clouds that gather
On some great hill’s piny head.
Still away she plunges rampant,
Like a lion roused to wrath,
And the late proud wave lies humbled
In the foam-track of her path.
“Yet ho! My gallant sailors,
Wear her head from off the land!
As his steed obeys the Arab,
How she feels the steering hand!
And the deep in her wide dwelling,
Her wild spouse the gipsy wind;

Along the sprawled body of the derailed Great Northern freight car,
I strike a match slowly and lift it slowly.
No wind.

Beyond town, three heavy white horses
Wade all the way to their shoulders
In a silo shadow.

Suddenly the freight car lurches.
The door slams back, a man with a flashlight
Calls me good evening.
I nod as I write good evening, lonely
And sick for home.