Four Days In Vermont

Window's tree trunk's predominant face
a single eye-leveled hole where limb's torn off
another larger contorts to swell growing in around
imploding wound beside a clutch of thin twigs
hold to one two three four five six dry twisted
yellowish brown leaves flat against the other
gray trees in back stick upright then the glimpse
of lighter still grayish sky behind the close
welted solid large trunk with clumps of gray-green
lichen seen in boxed glass squared window back
of two shaded lamps on brown chiffonier between


Foster the Light

Foster the light nor veil the manshaped moon,
Nor weather winds that blow not down the bone,
But strip the twelve-winded marrow from his circle;
Master the night nor serve the snowman's brain
That shapes each bushy item of the air
Into a polestar pointed on an icicle.

Murmur of spring nor crush the cockerel's eggs,
Nor hammer back a season in the figs,
But graft these four-fruited ridings on your country;
Farmer in time of frost the burning leagues,
By red-eyed orchards sow the seeds of snow,


Forth Went the Candid Man

Forth went the candid man
And spoke freely to the wind --
When he looked about him he was in a far strange country.

Forth went the candid man
And spoke freely to the stars --
Yellow light tore sight from his eyes.

"My good fool," said a learned bystander,
"Your operations are mad."

"You are too candid," cried the candid man,
And when his stick left the head of the learned bystander
It was two sticks.


Forgetfulness

Forgetfulness is like a song
That, freed from beat and measure, wanders.
Forgetfulness is like a bird whose wings are reconciled,
Outspread and motionless, --
A bird that coasts the wind unwearyingly.

Forgetfulness is rain at night,
Or an old house in a forest, -- or a child.
Forgetfulness is white, -- white as a blasted tree,
And it may stun the sybil into prophecy,
Or bury the Gods.

I can remember much forgetfulness.


For the Bed at Kelmscott

The wind's on the wold
And the night is a-cold,
And Thames runs chill
'Twixt mead and hill.
But kind and dear
Is the old house here
And my heart is warm
'Midst winter's harm.
Rest then and rest,
And think of the best
'Twixt summer and spring,
When all birds sing
In the town of the tree,
And ye in me
And scarce dare move,
Lest earth and its love
Should fade away
Ere the full of the day.
I am old and have seen
Many things that have been;
Both grief and peace


For Scotland

Beyond the Cheviots and the Tweed,
Beyond the Firth of Forth,
My memory returns at speed
To Scotland and the North.

For still I keep, and ever shall,
A warm place in my heart for Scotland,
Scotland, Scotland,
A warm place in my heart for Scotland.

Oh, cruel off St. Andrew's Bay
The winds are wont to blow!
They either rest or gently play,
When there in dreams I go.

And there I wander, young again,
With limbs that do not tire,
Along the coast to Kittock's Den,


For Music

THERE be none of Beauty's daughters
   With a magic like thee;
And like music on the waters
   Is thy sweet voice to me:
When, as if its sound were causing
The charmed ocean's pausing,
The waves lie still and gleaming,
And the lull'd winds seem dreaming:

And the midnight moon is weaving
   Her bright chain o'er the deep;
Whose breast is gently heaving,
   As an infant's asleep:
So the spirit bows before thee,
To listen and adore thee;
With a full but soft emotion,


For Little Things

Last night I looked across the hills
And through an arch of darkling pine
Low-swung against a limpid west
I saw a young moon shine.

And as I gazed there blew a wind,
Loosed where the sylvan shadows stir,
Bringing delight to soul and sense
The breath of dying fir.

This morn I saw a dancing host
Of poppies in a garden way,
And straight my heart was mirth-possessed
And I was glad as they.

I heard a song across the sea
As sweet and faint as echoes are,
And glimpsed a poignant happiness


For John Clare

Kind of empty in the way it sees everything, the earth gets to its feet andsalutes the sky. More of a success at it this time than most others it is. The feeling that the sky might be in the back of someone's mind. Then there is no telling how many there are. They grace everything--bush and tree--to take the roisterer's mind off his caroling--so it's like a smooth switch back. To what was aired in their previous conniption fit. There is so much to be seen everywhere that it's like not getting used to it, only there is so much it never feels new, never any different.


For I Must Sing of All I Feel and Know

For I must sing of all I feel and know,
Waiting with Memnon passive near the palms,
Until the heavenly light doth dawn and grow
And thrill my silence into mystic psalms;
From unknown realms the wind streams sad or gay,
The trees give voice responsive to its sway.

For I must sing: of mountains, deserts, seas,
Of rivers ever flowing, ever flowing;
Of beasts and birds, of grass and flowers and trees
Forever fading and forever growing;
Of calm and storm, of night and eve and noon,


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