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Daily, Daily, Sing The Praises

Daily, daily, sing the praises
Of the city God hath made;
In the beauteous fields of Eden
Its foundation stones are laid.

Refrain

O that I had wings of angels,
Here to spread and heavenward fly!
I would seek the gates of Zion,
Far beyond the starry sky.

All the walls of that dear city
Are of bright and burnished gold;
It is matchless in its beauty,
And its treasures are untold.

Refrain

In the midst of that dear city
Christ is reigning on His seat,
And the angels swing their censers

Cultural Exchange

In the Quarter of the Negroes
Where the doors are doors of paper
Dust of dingy atoms
Blows a scratchy sound.
Amorphous jack-o'-Lanterns caper
And the wind won't wait for midnight
For fun to blow doors down.
By the river and the railroad
With fluid far-off goind
Boundaries bind unbinding
A whirl of whisteles blowing.
No trains or steamboats going--
Yet Leontyne's unpacking.

In the Quarter of the Negroes
Where the doorknob lets in Lieder
More than German ever bore,
Her yesterday past grandpa--
Not of her own doing--

Crying For Bread

"Please, lady! please pay my Ma for her sewing;
The suit fits you splendidly--that you'll allow.
Oh! don't say tomorrow! I see you are going;
But this will not hinder long--please pay me now.
Ma work'd all night for you! ev'ry minute;
Now she lies groaning with pain in her head;
And there by the pantry (with not a thing in it),
Sits poor little Theodore crying for bread!
Poor little Theodore crying for bread!"

"On! driver, on! they have all gone before us,
And I will not be late at the ball," Beauty said;

Crumble-Hall

When Friends or Fortune frown on Mira's Lay,
Or gloomy Vapours hide the Lamp of Day;
With low'ring Forehead, and with aching Limbs,
Oppress'd with Head-ach, and eternal Whims,
Sad Mira vows to quit the darling Crime:
Yet takes her Farewel, and Repents, in Rhyme.

But see (more charming than Armida's Wiles)
The sun returns, and Artemisia smiles:
Then in a trice the Resolutions fly;
[And who so frolick as the Muse and I?]
We sing once more, obedient to her Call;
Once more we sing; and 'tis of Crumble-Hall;

Cruisers

1899


As our mother the Frigate, bepainted and fine,
Made play for her bully the Ship of the Line;
So we, her bold daughters by iron and fire,
Accost and decoy to our masters' desire.

Now, pray you, consider what toils we endure,
Night-walking wet sea-lanes, a guard and a lure;
Since half of our trade is that same pretty sort
As mettlesome wenches do practise in port.

For this is our office: to spy and make room,
As hiding yet guiding the foe to their doom.
Surrounding, confounding, we bait and betray

Crucible

Hot gold runs a winding stream on the inside of a green bowl.

Yellow trickles in a fan figure, scatters a line of skirmishes, spreads a chorus
of dancing girls, performs blazing ochre evolutions, gathers the whole show into
one stream, forgets the past and rolls on.

The sea-mist green of the bowl's bottom is a dark throat of sky crossed by
quarreling forks of umber and ochre and yellow changing faces.

Crime and Punishment chapter XII

Then one of the judges of the city stood forth and said, "Speak to us of Crime and Punishment."

And he answered saying:

It is when your spirit goes wandering upon the wind,

That you, alone and unguarded, commit a wrong unto others and therefore unto yourself.

And for that wrong committed must you knock and wait a while unheeded at the gate of the blessed.

Like the ocean is your god-self;

It remains for ever undefiled.

And like the ether it lifts but the winged.

Even like the sun is your god-self;

Craving for Spring

I wish it were spring in the world.

Let it be spring!
Come, bubbling, surging tide of sap!
Come, rush of creation!
Come, life! surge through this mass of mortification!
Come, sweep away these exquisite, ghastly first-flowers,
which are rather last-flowers!
Come, thaw down their cool portentousness, dissolve them:
snowdrops, straight, death-veined exhalations of white and purple crocuses,
flowers of the penumbra, issue of corruption, nourished in mortification,
jets of exquisite finality;
Come, spring, make havoc of them!

Count-time

Everybody to sleep the guard symbolizes
on his late night tour of the tombs.
When he leaves, after counting still bodies
wrapped in white sheets, when he goes,

the bodies slowly move, in solitary ritual,
counting lost days, mounting memories,
numbering like sand grains
the winds drag over high mountains
to their lonely deaths; like elephants
they go bury themselves
under dreamlike waterfalls,
in the silence.

Country Glee

HAYMAKERS, rakers, reapers, and mowers,
Wait on your Summer-queen;
Dress up with musk-rose her eglantine bowers,
Daffodils strew the green;
Sing, dance, and play,
'Tis holiday;
The sun does bravely shine
On our ears of corn.
Rich as a pearl
Comes every girl,
This is mine, this is mine, this is mine;
Let us die, ere away they be borne.

Bow to the Sun, to our queen, and that fair one
Come to behold our sports:
Each bonny lass here is counted a rare one,
As those in a prince's courts.
These and we