Zummer An' Winter

When I led by zummer streams
The pride o' Lea, as naighbours thought her,
While the zun, wi' evenen beams,
Did cast our sheades athirt the water;
Winds a-blowen,
Streams a-flowen,
Skies a-glowen,
Tokens ov my jay zoo fleeten,
Heightened it, that happy meeten.

Then, when maid an' man took pleaces,
Gay in winter's Chris'mas dances,
Showen in their merry feaces
Kindly smiles an' glisnen glances;
Stars a-winken,
Day a-shrinken,
Sheades a-zinken,
Brought anew the happy meeten,


To The Leaven'd Soil They Trod


TO the leaven'd soil they trod, calling, I sing, for the last;
(Not cities, nor man alone, nor war, nor the dead,
But forth from my tent emerging for good--loosing, untying the tent-
ropes;)
In the freshness, the forenoon air, in the far-stretching circuits
and vistas, again to peace restored,
To the fiery fields emanative, and the endless vistas beyond--to the
south and the north;
To the leaven'd soil of the general western world, to attest my
songs,


To the Ottawa

Dear dark-brown waters full of all the stain
Of sombre spruce-woods and the forest fens,
Laden with sound from far-off northern glens
Where winds and craggy cataracts complain,
Voices of streams and mountain pines astrain,
The pines that brood above the roaring foam
Of La Montagne or Les Erables; thine home
Is distant yet, a shleter far to gain.
Aye still to eastward, past the shadowy lake
And the long slopes of Rigaud toward the sun,
The mightier stream, thy comrade, waits for thee,


To The One Of Fictive Music

Sister and mother and diviner love,
And of the sisterhood of the living dead
Most near, most clear, and of the clearest bloom,
And of the fragrant mothers the most dear
And queen, and of diviner love the day
And flame and summer and sweet fire, no thread
Of cloudy silver sprinkles in your gown
Its venom of renown, and on your head
No crown is simpler than the simple hair.

Now, of the music summoned by the birth
That separates us from the wind and sea,
Yet leaves us in them, until earth becomes,


To the Old Gods

O YE, who rode the gales of Sicily,
Sandalled with flame,
Spread on the pirate winds; o ye who broke
No wind-flower as ye came--
Though Pelion shivered when the thunder spoke
The gods' decree!--

Into the twilight of the ancient days
Have not ye flown!--
Ye, whom the happy Greeks inspired hand
Struck from the frenzied stone:
That, ye withdrawn, your images should stand
To take their praise.

Smeared into clay, and frozen into stone!
Ye, that do now


To The Harbormaster

I wanted to be sure to reach you;
though my ship was on the way it got caught
in some moorings. I am always tying up
and then deciding to depart. In storms and
at sunset, with the metallic coils of the tide
around my fathomless arms, I am unable
to understand the forms of my vanity
or I am hard alee with my Polish rudder
in my hand and the sun sinking. To
you I offer my hull and the tattered cordage
of my will. The terrible channels where
the wind drives me against the brown lips


Yes, holy be thy resting place

Yes, holy be thy resting place
Wherever thou may'st lie;
The sweetest winds breathe on thy face,
The softest of the sky.

And will not guardian Angles send
Kind dreams and thoughts of love,
Though I no more may watchful bend
Thy longed repose above?

And will not heaven itself bestow
A beam of glory there
That summer's grass more green may grow,
And summer's flowers more fair?

Farewell, farewell, 'tis hard to part
Yet, loved one, it must be:
I would not rend another heart


Zilpha Marsh

At four o'clock in late October
I sat alone in the country school-house
Back from the road 'mid stricken fields,
And an eddy of wind blew leaves on the pane,
And crooned in the flue of the cannon-stove,
With its open door blurring the shadows
With the spectral glow of a dying fire.
In an idle mood I was running the planchette --
All at once my wrist grew limp,
And my hand moved rapidly over the board,
Till the name of "Charles Guiteau" was spelled,
Who threatened to materialize before me.


You'll know Herby Her Foot

634

You'll know Her—by Her Foot—
The smallest Gamboge Hand
With Fingers—where the Toes should be—
Would more affront the Sand—

Than this Quaint Creature's Boot—
Adjusted by a Stern—
Without a Button—I could vouch—
Unto a Velvet Limb—

You'll know Her—by Her Vest—
Tight fitting—Orange—Brown—
Inside a Jacket duller—
She wore when she was born—

Her Cap is small—and snug—
Constructed for the Winds—
She'd pass for Barehead—short way off—
But as She Closer stands—


You cannot put a Fire out

530

You cannot put a Fire out—
A Thing that can ignite
Can go, itself, without a Fan—
Upon the slowest Night—

You cannot fold a Flood—
And put it in a Drawer—
Because the Winds would find it out—
And tell your Cedar Floor—


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