winter

ONE winter night, at half-past nine,
Cold, tired, and cross, and muddy,
I had come home, too late to dine,
And supper, with cigars and wine,
Was waiting in the study.

There was a strangeness in the room,
And Something white and wavy
Was standing near me in the gloom -
I took it for the carpet-broom
Left by that careless slavey.

But presently the Thing began
To shiver and to sneeze:
On which I said "Come, come, my man!
That's a most inconsiderate plan.
Less noise there, if you please!"

I

Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,

Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna;

Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt

The basses of their beings throb

ALMAGRO'S expedition to Chili--His troops suffer great hardships from cold, in crossing the Andes--They reach Chili--The Chilians make a brave resistance--The revolt of the Peruvians in Cuzco---They are led on by MANCO CAPAC , the successor of ATALIBA --Parting with CORA , his wife--The Peruvians regain half their city--ALMAGRO leaves Chili--To avoid the Andes, he crosses a vast desert--His troops can find no water--They divide into two bands--ALPHONSO leads the second band, which soon reaches a fertile valley--The Spaniards observe that the natives are employed in searching the streams for

PIZARRO lands with the Forces--His meeting with ATALIBA --Its un-
happy consequences--ZORAI dies--ATALIBA imprisoned, and strangled
--Despair of ALZIRA .


Flush'd with impatient hope, the martial band,
By stern PIZARRO led, approach the land;
No terrors arm his hostile brow, for guile
Seeks to betray with candour's open smile.
Too artless for distrust, the Monarch springs
To meet his latent foe on friendship's wings.
On as he moves, with dazzling splendour crown'd,
His feather'd chiefs the golden throne surround;

When the light falls on winter evenings
And the river makes no sound in its passing
Behind the house, is silent but for its cold
Flowing, its reeds frozen stiffer than glass
How can one anticipate the dawn, a sudden
Blazing of sunlight thawing the harshest sky?
How can one not remember summer evenings?
Must not the tired heart sink and must not fear
Bite, like an acid, wrinkles in its stone?


Behind drawn curtains, gazing at the fire,
Think how the earth spins dumb and bound

SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the prince---. The ladies in character costumes and masks. The gentlement in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue.

I walk down the garden-paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jeweled fan,
I too am a rare
Pattern. As I wander down
The garden-paths.
My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.

WHEN AURORA'S soft blushes o'erspread the blue hill,
And the mist dies away at the glances of morn;
When the birds join the music that floats on the rill,
And the beauties of spring the young woodlands adorn.

To breathe the pure air and enliven my soul,
I bound from my cottage exulting and gay;
No care to molest me, no pow'r to controul,
I sport with my lambkins, as thoughtless as they.

Yet, the bright tear of pity bedews my fond eyes,
When I think that for MAN the dear victims must fall,

Sleepless I listen to the surge and drone
And drifting roar of the town’s undertone;
Till through quiet falling rain I hear the bells
Tolling and chiming their brief tune that tells
Day’s midnight end. And from the day that’s over
No flashes of delight I can recover;
But only dreary winter streets, and faces
Of people moving in loud clanging places:
And I in my loneliness, longing for you...

For all I did to-day, and all I’ll do
To-morrow, in this city of intense

---anankta ton pantôn huperbal-
lonta chronon makarôn.
Pindar. Hymn. frag. 33


I

As the mountain-torrent rages,
Loud, impetuous, swift, and strong,
So the rapid streams of ages
Rolls with ceaseless tide along.
Man's little day what clouds o'ercast!
How soon his longest day is past!
All-conquering DEATH, in solemn date unfurl'd,
Comes, like the burning desert blast,
And sweeps him from the world.
The noblest works of human pow'r
In vain resist the fate-fraught hour;