Heart's Needle
For Cynthia
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For Cynthia
After dark
Near the South Dakota border,
The moon is out hunting, everywhere,
Delivering fire,
And walking down hallways
Of a diamond.
Behind a tree,
It ights on the ruins
Of a white city
Frost, frost.
Where are they gone
Who lived there?
Bundled away under wings
And dark faces.
I am sick
Of it, and I go on
Living, alone, alone,
Past the charred silos, past the hidden graves
Of Chippewas and Norwegians.
This cold winter
What is a woman that you forsake her,
And the hearth-fire and the home-acre.
To go with the old grey Widow-maker?
She has no house to lay a guest in
But one chill bed for all to rest in,
That the pale suns and the stray bergs nest in.
She has no strong white arms to fold you,
But the ten-times-fingering weed to hold you
Out on the rocks where the tide has rolled you.
Yet, when the signs of summer thicken,
And the ice breaks, and the birch-buds quicken,
The butcher knife goes in, first, at the top
And carves out the round stemmed lid,
The hole of which allows the hand to go
In to pull the gooey mess inside, out -
The walls scooped clean with a spoon.
A grim design decided on, that afternoon,
The eyes are the first to go,
Isosceles or trapezoid, the square nose,
The down-turned mouth with three
Hideous teeth and, sometimes,
Round ears. At dusk it's
Lighted, the room behind it dark.
Outside, looking in, it looks like a
Pumpkin, it looks like ripeness
Drinking my tea
Without sugar-
No difference.
The sparrow shits
upside down
--ah! my brain & eggs
Mayan head in a
Pacific driftwood bole
--Someday I'll live in N.Y.
Looking over my shoulder
my behind was covered
with cherry blossoms.
Winter Haiku
I didn't know the names
of the flowers--now
my garden is gone.
I slapped the mosquito
and missed.
What made me do that?
Reading haiku
I am unhappy,
Greenland's icy mountains are fascinating and grand,
And wondrously created by the Almighty's command;
And the works of the Almighty there's few can understand:
Who knows but it might be a part of Fairyland?
Because there are churches of ice, and houses glittering like glass,
And for scenic grandeur there's nothing can it surpass,
Besides there's monuments and spires, also ruins,
Which serve for a safe retreat from the wild bruins.
And there's icy crags and precipices, also beautiful waterfalls,
Shake out my pockets! Harken to the call
Of that calm voice that makes no sound at all!
Take of me all you can; my average weight
May make amends for this, my low estate.
But do not shake, Green Thumb, as once you did
My heart and liver, or my prostate bid
Good Morning to -- leave it, the savage gland
Content within the mercy of my hand.
The world was safe in winter, I was spring,
Enslaved and rattling to the slightest thing
That she might give. If planter were my trade
Green groweth the holly,
So doth the ivy.
Though winter blasts blow never so high,
Green groweth the holly.
As the holly groweth green
And never changeth hue,
So I am, ever hath been,
Unto my lady true.
As the holly groweth green
With ivy all alone
When flowers cannot be seen
And greenwood leaves be gone,
Now unto my lady
Promise to her I make,
From all other only
To her I me betake.
Adieu, mine own lady,
Adieu, my special
By this part of the century few are left who believe
in the animals for they are not there in the carved parts
of them served on plates and the pleas from the slatted trucks
are sounds of shadows that possess no future
there is still game for the pleasure of killing
and there are pets for the children but the lives that followed
courses of their own other than ours and older
have been migrating before us some are already
far on the way and yet Peter with his gaunt cheeks
Paw marks near one burrow show Graydigger
at home, I bend low, from down there swivel
my head, grasstop level--the world
goes on forever, the mountains a bigger
burrow, their snow like last winter. From a room
inside the world even the strongest wind
has a soft sound: a new house will hide
in the grass; footsteps are only the summer people.
The real estate agent is saying, "Utilities . . .
easy payments, a view." I see
my prints in the dirt. Out there
in the wind we talk about credit, security--